Above this robe was the ephod itself—a kind of gorgeous jacket, made in two pieces which were joined at the shoulders, and bound together at the waist by a cunningly woven band, which was of the same piece. This ephod, like the curtains of the tabernacle, was of blue and purple and scarlet and fine-twined linen; but added to these were threads of gold, and we read, as if this were a novelty which needed to be explained, that they beat the gold into thin plates and then cut it into threads (xxxix. 3, xxviii. 6–8).
Upon the shoulders were two stones, rightly perhaps called onyx, and set in “ouches”—of filagree work, as the word seems to say. Upon them were engraven the names of the twelve tribes, the burden of whose sins and sorrows he should bear into the presence of his God, “for a memorial” (9–12).
Upon the ephod was the breastplate, fastened to it by rings and chains of twisted gold, made to fold over into a square, a span in measurement, and blazing with twelve gems, upon which were engraved, as upon the onyxes on the shoulders, the names of the twelve tribes. All attempts to derive edification from the nature of these jewels must be governed by the commonplace reflection that we cannot identify them; and many of the present names are incorrect. It is almost certain that neither topaz, sapphire nor diamond could have been engraved, as these stones were, with the name of one of the twelve tribes (13–30).
“In the breastplate” (that is, evidently, between the folds as it was doubled), were placed those mysterious means of ascertaining the will of God, the Urim and the Thummim, the Lights and the Perfections; but of their nature, or of the manner in which they became significant, nothing can be said that is not pure conjecture (30).
Lastly, there was a mitre of white linen, and upon it was laced with blue cords a gold plate bearing the inscription “Holy to Jehovah” (36, 37).
No mention is made of shoes or sandals; and both from the commandment to Moses at the burning bush, and from history, it is certain that the priests officiated with their feet bare.
The picture thus completed has the clearest ethical significance. There is modesty, reverence, purity, innocence typified by whiteness, the grandeur of the office of intercession displayed in the rich colours and precious jewels by which that whiteness was relieved, sympathy expressed by the names of the people in the breastplate that heaved with every throb of his heart, responsibility confessed by the same names upon the shoulder, where the government was said to press like a load (Isa. ix. 6); and over all, at once the condition and the explanation of the rest, upon the seat of intelligence itself, the golden inscription on the forehead, “Holy to Jehovah.”
Such was the import of the raiment of the high priest: let us see how it agrees with the nature of his office.
THE PRIESTHOOD.
What, then, are the central ideas connected with the institution of a priesthood?