His days were largely spent in their studios where, seated in the most comfortable chair he could find, he would smoke lazily and watch them at work and criticise freely. Men grumbled and laughed at his presumption, but were ready to acknowledge the justice of his criticism. He had an excellent eye for color and effect and for the contrast of light and shade, and those whose pictures were hung, were often ready enough to admit that the canvas owed much of its charm to some happy suggestion on Cuthbert's often ready part.
Every two or three months he went home for a fortnight. He was greatly attached to his father, and it was the one drawback to the contentment of his life that he had been unable to carry out the Squire's wishes, and to settle down with him at Fairclose. He would occasionally bemoan himself over this to his friends.
"I am as bad as the prodigal son," he would say, "except that I don't get what I deserve, and have neither to feed on husks nor to tend swine; but though the fatted calf would be ready for me if I were to return I can't bring myself to do so."
"I don't know about being a prodigal," Wilson, one of the oldest of his set would grumble in reply, "but I do know you are a lazy young beggar, and are wasting your time and opportunities; it is a thousand pities you were born with a silver spoon in your mouth. Your father ought to have turned you adrift with an allowance just sufficient to have kept you on bread and butter, and have left you to provide everything else for yourself; then you would have been an artist, sir, and would have made a big name for yourself. You would have had no occasion to waste your time in painting pot-boilers, but could have devoted yourself to good, honest, serious work, which is more than most of us can do. We are obliged to consider what will sell and to please the public by turning out what they call pretty pictures—children playing with dogs, and trumpery things of that sort. Bah, it is sickening to see a young fellow wasting his life so."
But Cuthbert only laughed good-temperedly, he was accustomed to such tirades, and was indeed of a singularly sweet and easy temper.
It was the end of the first week in May, the great artistic event of the year was over, the Academy was opened, the pictures had been seen and criticised, there was the usual indignation at pictures being hung generally voted to be daubs, while others that had been considered among the studios as certain of acceptance, had been rejected. Two or three of Cuthbert's friends were starting at once for Cornwall to enjoy a rest after three months' steady work and to lay in a stock of fresh sketches for pictures for the following year.
"I will go with you," Cuthbert said when they informed him of their intention, "it is early yet, but it is warm enough even for loafing on the rocks, and I hate London when it's full. I will go for a fortnight anyhow," and so with Wilson and two younger men, he started for Newquay, on the north of Cornwall. Once established there the party met only at meals.
"We don't want to be doing the same bits," Wilson said, "and we shall see plenty of each other of an evening." Cuthbert was delighted with the place, and with his usual enthusiasm speedily fixed upon a subject, and setting up his easel and camp-stool began work on the morning after his arrival. He had been engaged but a few hours when two young ladies came along. They stopped close to him, and Cuthbert, who hated being overlooked when at work, was on the point of growling an anathema under his fair drooping mustache, when one of the girls came close and said quietly—
"How are you, Mr. Hartington? Who would have thought of meeting you here?"
He did not recognize her for a moment and then exclaimed—