A Girl of the Commune

by G. A. Henty

"How is it for size?" Cuthbert asked.

"It is about the same size, but that is nothing. All deeds are on two or three sizes of parchment. The last page is the thing."

Cuthbert turned to it. There were but four lines of writing at the top of the page, and below these came the signatures.

"Of course I could not swear to it, Mr. Hartington, but it is precisely in accordance with my recollection. There were either three, four, or five lines at the top. Certainly not more than five, certainly not less than three. As you see there is no blot to my signature. Now, Mr. Cooper, will you be kind enough to compare the signatures of these two letters with the same name there?"

Mr. Cooper took the letter and deed to a desk by the window, examined them carefully, then took out a large magnifying glass from his pocket, and again examined them.

"I should say they are certainly not by the same hand," he said, decisively. "I do not call them even good imitations. They are nothing like as good as would be made by any expert in signing other people's names. The tail of the 'J' in James in these two letters runs up into the 'a' but as you will notice the pen is taken off and the letter 'a' starts afresh. Here on the contrary you see the pen has not been taken off, but the upstroke of the 'J' runs on continuously into the 'a.' More naturally it would be just the other way. In these two letters the writer would be signing his name more hurriedly than to a formal deed, and would be much more likely to run his letters into each other than when making a formal signature on parchment.

"Looking through this glass you will observe also that although the letters run on together there is a slight thickening in the upstroke between each letter as if the writer had paused, though without taking his pen off, to examine the exact method of making the next letter in a copy lying before him. In the surname there are half a dozen points of difference. To begin with, the whole writing slopes less than in the other signatures. In both your father's letters the cross of the first 't' is much lower than usual and almost touches the top of the 'r' and i.' The same peculiarity is shown in the second 't' in both letters, while on the deed the 't's' are crossed a good deal higher. The whole word is more cramped, the flourish at the end of the 'n' is longer but less free. In the capital letter, the two downstrokes are a good deal closer together. There has been the same pause between each letter as those I pointed out in the Christian name, and indeed the glass shows you the pen was altogether taken off the paper between the 'o' and the 'n,' as the writer studied that final flourish. My opinion is that it is not only a forgery but a clumsy one, and would be detected at once by anyone who had the original signatures before him. I will even go so far as to say that I doubt if any bank clerk well acquainted with Mr. Hartington's signature would pass it."

"And now for the blot," Cuthbert said. "There was a blot somewhere near the signature of Mr. Harford."

"Don't tell me where it was, Mr. Harford. I would rather not know its exact position."

With the aid of the magnifying glass the expert carefully examined the parchment and then held it up to the light.