"So much the better. I came here to work, and I want to stick to it and not waste my time in parades and sentry duty. Well, we shall meet at the studio in the morning and you can give us your news then."
Some fifteen young men met on the following morning at Goudé's studio.
"Now, gentlemen," said the artist, a short man, with a large head, and an abundant crop of yellow hair falling on to his shoulders, "please to attend to business while you are here. Paint—you have plenty of time outside to discuss affairs."
M. Goudé was an artist of considerable talent, but of peppery temper. He had at one time gone to war with the Hanging Committee of the Salon because one of his paintings had been so badly hung that he declared it to be nothing short of an insult, and had forthwith proceeded to publish the most violent strictures upon them. The result was that on the following year his pictures were not hung at all, whereupon, after another onslaught upon them, he had declared his determination never again to submit a picture to the judgment of men whose natural stupidity was only equalled by their ignorance of art.
This vow he had for eight years adhered to, only occasionally painting a picture and selling it privately, but devoting himself almost entirely to the studio he had opened, when he ceased exhibiting. He was an admirable teacher and his list of pupils was always full. He was an exacting master and would take none but students who showed marked ability. As a preliminary picture had to be presented to him for examination, and at least three out of four of the canvases sufficed to ensure their authors' prompt rejection.
It was, therefore, considered an honor to be one of Goudé's pupils, but it had its drawbacks. His criticisms were severe and bitter; and he fell into violent passions when, as Leroux once observed, he looked like the yellow dwarf in a rage. Cuthbert had heard of him from Terrier, who said that Goudé had the reputation of being by far the best master in Paris. He had presented himself to him as soon as he arrived there; his reception had not been favorable.
"It is useless, Monsieur," the master had said, abruptly, "there are two objections. In the first place you are too old, in the second place you are a foreigner, and I do not care to teach foreigners. I never had but one here, and I do not want another. He was a Scotchman, and because I told him one day when he had produced an atrocious daub, that he was an imbecile pig, he seized me and shook me till my teeth chattered in my head, and then kicked over the easel and went out."
"You may call me an imbecile pig if you like," Cuthbert said with his quiet smile, "it would hurt me in no way. I have come over to learn, and I am told you are the best master in Paris. When a man is a great master he must be permitted to have his peculiarities, and if he likes to treat grown-up men as children, of course he can do so, for are we not children in art by his side."
Monsieur Goudé was mollified, but he did not show it.
"Have you brought any canvases with you?"