A Girl of the Commune

by G. A. Henty

CHAPTER X.

Another month and a great change had come over Paris. The spirit of empty gasconnade had been succeeded by one more befitting the time and circumstances. As the hopes of assistance from without lessened, the spirit of resistance grew stronger and firmer. There was no longer any talk of sweeping the Prussians out of France, no longer was it an article of faith that Paris would be saved; but the thought of surrender was farther than ever from men's minds. Paris would resist to the last. She would give time to France to reorganize herself, and would set such an example of devotion and patience under suffering, that when at last famine forced her to surrender, the world should at least say that Paris had proved herself worthy of her reputation.

The defences had been strengthened to an enormous extent; the outlying forts which, when the siege began, could have been carried without much difficulty by a resolute attack, had now been rendered practically impregnable, their approaches had been thickly mined, obstacles of all sorts erected round them, and the casements, barracks, and magazines protected by coverings of trunks of trees and so great a depth of earth as to be able to defy the heaviest shell.

The walls of the enciente had been repaired and greatly strengthened, and covered by bastions and other works, so that even were one of the forts taken the work of the enemy would but be begun. The theatres had been closed from the first. The café's chantants, and the open-air concerts had long since followed the example, partly because of the increasing seriousness of the temper of the people, partly because of the failure of the gas. The café's themselves were no longer crowded until midnight; the dim lights of the lamps that had taken the place of gas gave a sombre air to these establishments, and by eight o'clock in the evening most of them put up their shutters.

The National Guard were being reorganized. From each battalion, three or four hundred of the most able-bodied, for the most part unmarried, men, had by order of the Government, been selected and formed into companies for service in the field, and these promised in a short time to develop into troops equal in physique and spirit to the mobiles, and vastly superior to the line.

Ladies no longer appeared in the streets in rich dresses. It was felt that these were out of place now, and all adornments had been rigidly given up, and the women of the better class set the example of dressing in the simplest of costumes and the quietest of colors. Great numbers had devoted themselves to the services of the hospitals and ambulances, and spent the whole of their time in ministering to the sick and wounded.

As yet there was little real suffering in Paris, and the privations and inconveniences were borne uncomplainingly, and even cheerfully. Beef had become almost unobtainable, but it was agreed that horse-flesh was not a bad substitute; cats and dogs were fast disappearing from the streets, and their flesh, prepared in a variety of ways, took the place on the cards of the restaurants of hares and game, and the change was hardly noticed.

Cuthbert was working hard. The school was now definitely closed, but those who liked to do so were free to work there when they chose. M. Goudé had taken advantage of the cessation of lessons to paint on his own account, and was engaged upon a large canvas which he announced was intended for the Salon.

"All this," he said, "has wiped away old quarrels. If I were fit for it I would do as so many of the artists of Paris have done—take my place in the ranks—but I am past the age for marching and sleeping in ditches; but I can entertain no further anger against men who are fighting for France. It is the duty of those who cannot fight to paint. When the Salon opens we must show the world that, in spite of these barbarians, France still holds her head high, and is at the head of civilization."

Cuthbert, however, was not among the number of those who used the painting-room. He had chosen his lodging so as to have a north light, and kept his door closed from early morning until the light faded. An ardor for work had seized him, and it was with reluctance that he put aside his brush when the day's work was over. He was engaged upon two pictures, and worked upon them alternately as the mood seized him. When he had done for the day the canvas was always covered up and the easels placed behind a screen in the corner of the room and the doors opened to his friends.