By Right of Conquest; Or, With Cortez in Mexico

by G. A. Henty

"Come, my friend, the council is over, and you may return with me."

Cacama was evidently anxious to be off at once, and Roger followed him without a question. One of the pages of the palace led the way through a long series of passages, and at last Roger found himself outside the palace, where a door opened into a canal. Here Cacama's boat was lying. The young king and Roger took their seats, and the canoe dashed off at once.

"It has been a hard fight in the council," Cacama said. "No two men were of the same opinion. Even the priests were divided among themselves; and Montezuma was as undecided, at the end, as he was at the beginning; so that the decision is postponed. Then the question arose, were you to be treated as a guest or as a prisoner? And this I settled by saying that I would take you back with me to Tezcuco, and produce you whenever required. So in order to avoid excitement among the people, I sent word for the boat to be brought round to that quiet entrance to the palace, by which means we avoided passing through the streets, altogether.

"At one time it seemed to me that the decision would go against you, on the ground that, had you been a supernatural being, you would have had new arts to teach the people. Fortunately, I had brought with me the pictures you made for my wife and sister, and these I showed them. I pointed out that they were altogether different from the work of our own scribes; that these drew stiff images that looked like representations, not of men and animals, but of wooden creatures, while in your drawings it seemed as if the men and animals were moving across the paper; and that, were you to teach our scribes thus to portray objects, it would make a profound alteration in Mexican art.

"This made a great impression upon them. Many of the nobles belonging to the Council of Education were present, and Montezuma himself is fond of art. All were greatly struck with your paintings, and these certainly went a long way towards strengthening my party. When we get back, you shall do some pictures of things such as they see here, and are accustomed to. Perhaps you could do even better, still, if you were to try."

"I could make much more finished pictures," Roger said. "These were only sketched off in haste, and with such colors as came to hand; but if I had pigments, and could mix the colors as I wanted them, I could produce very much better effect."

Roger, as a child, had been placed by his father, during the latter's long absences from home, at a school kept by some monks at a monastery at Plymouth, in order that he might learn to read and write--as these accomplishments would be of great use to him, as a master mariner. His fondness for painting attracted the attention of one of the old monks, who illuminated missals; and he had permitted him to copy many of the manuscripts in the monastery, and had given him instructions in the art. He had, indeed, been so struck with the talent the boy showed, that he told Reuben Hawkshaw that if he would let his son devote himself to art, he would make a famous painter. The sailor had scoffed at the idea; and Roger himself, fond as he was of painting, would have been reluctant to abandon the idea of going to sea.

The instructions he had obtained, however, up to the age of twelve, when he went on his first voyage with his father, had been of great assistance to him. Thanks to his natural talent, his visits to the churches at the various ports at which the ship touched, and to the fact that he had plenty of time on board to practice the art, his pictures were surprisingly good, and had excited a great deal of attention on the part of the friends and acquaintances of Master Diggory Beggs.

Upon his return to Tezcuco, Cacama ordered the scribes to furnish him with large sheets of the best paper, brushes, and pigments. The colors were all bright and glaring ones; but by mixing them, and adding some sombre dyes he obtained in the market, Roger succeeded in getting the required tints. Taking his place in the garden, at a point where he commanded the lake, near at hand, dotted with canoes; and the city of Mexico, with its background of hills, in the distance, Roger set to work. To the surprise of the scribe who had been ordered to assist him, he mixed the colors with oil instead of water, and then began his picture. He worked as long as there was sufficient light, and recommenced it the next morning, directly after sunrise, and continued at work all day; and by evening had finished the picture, three feet by two, which, although it would not be considered remarkable in Europe, excited the most lively admiration on the part of Cacama and the ladies.

He explained to the king that, as he had none of the spirit that was used in conjunction with the oil to make it dry rapidly, it would be some days before the picture would be sufficiently dry to be touched. Cacama, however, sent it off the next morning under charge of his principal scribe to Montezuma, who sent back word that he was astonished, indeed, at this work of art, which seemed to him to be almost magical; and he sent, in return, a large golden goblet to Roger, in token of his satisfaction.