This time the other man answered at greater length: “My God, no.”

And Baldwin left it at that.

“I should say it would be very soon now,” reflected Stuart, on the ninth day of waiting. This he deduced from Aureole’s demeanour; she being quite incapable of restraining herself from inscrutable smiles, eyes dream-laden, spurts of brilliantly hectic conversation, bouts of feverish consideration for others, speech and comment pregnant with triple meanings, and other indications of a swiftly approaching crisis; all of which Stuart found extremely useful. He had no notion of exactly how he was to effect the débâcle, but trusted for his inspiration to that solemn moment when, about to embark, the guilty couple should hear the shuffle of footsteps in the sand, and, turning, gaze into his accusing eyes.... “Is this prophetic sight, or did I ever read about it?” mused Stuart.

He paid Aureole the compliment of not for a moment believing that she was taking her fun all this while in a squalid furtive fashion, attempting to blend outward respectability with hidden romance. No; decidedly she had the courage of her emotional caprices; this had been proved by her prompt flight from Norfolk, directly she had convinced herself that it was necessary for her soul’s development and for the stimulation of Oliver’s after-marriage courtship.—“She’ll burn her boats right enough—little fool!” Stuart muttered; “and I hope it will be to-night.” He was beginning to find his shadowy watches both wearisome and chilly.

“But, sweetheart, I can’t sail a yacht,” cried the Troubadour in despair, when Aureole unfolded her latest scheme.

“You can row, then; and we’ll reef the sails—tie them up in a bundle. It’s a pity ... but yet ... plash of oars on the calm still water....”

Bertram hoped it would indeed be calm still water. He did not care to disturb her imagination by mere facts,—but he had no liking for the sea. He asked if he were expected to row all the way to France, to Provence, golden land of minstrelsy, which she had chosen as their first background for unending and virile scenes of love.

Aureole sighed. “It’s a pity,” she repeated. “However, we’ll row along the coast to Poole, and hire a man, a strange fierce-eyed man, to sail the boat across the Channel. And then, after landing us, he shall sail her back again”—and she added, in a vicious undertone,—“to Stuart Heron!”

To Stuart Heron, crouching far back in an indentation hollowed out of the cliff, the events of that night were swift and improbable as scenes reeled off the film. The white line of wave hissed and broke with exactly that sound; and the twilight had sucked the background of all colour save lifeless greys; clearly etched against the pale sky, rose the mainmast of the boat; beside it, the tall figure of a man stood immovable, wrapped in heavy folds of cloak, his face blurred by the deepening shadows. The white line of wave hissed and broke. Then, quite tiny at first, but gradually growing to life-size, a woman’s figure fled down the winding road of the Chine. The man stepped forward to meet her, held her for a moment silently in his arms, then drew her along the shore to the boat. They gesticulated with sharp little movements. Another figure stole out of hiding; crept towards the couple, whose backs were turned to him. His steps were noiseless on the sand. So that still no sound shattered the picture, save of the white line of wave that monotonously hissed and broke....

All this, Stuart watched with mingled amusement and interest. His was the stealthy shape which might have been a spy among conspirators, a Customs Officer amid smugglers, an Indian with a tomahawk, or the hero to the rescue.