The clay figures which often adorned the rims of open bowls represented all manner of creatures both real and imaginary. About one-third actual size.

Of course the Master Farmers made other types of pottery, too. Some were open bowls, and others had an incurving rim which gracefully repeated the curve of the lower portion just below the belly. There were also deep, straight-sided jars with extremely thick walls, and big shallow bowls several feet in diameter which have been called salt pans from the belief that the type was sometimes used in the making of that substance. Actually they were probably the large family food bowl in common use also in later times. Impressions of a twined cloth fabric on the outer surfaces of the latter, some cord marking, and crude scoring or other treatment of the sides of the former were exceptions to the general rule of smooth surfaces during this period.

In place of surface decoration, however, we find another form of elaboration which is somewhat less common but equally distinctive. This is the attempt to depict some form, either natural or supernatural, in the body of the vessel or attached to it in some way as an independent figure. Small heads suggesting a fox or an owl or some night creature with big staring eyes grow out of the rim of a bowl and peer into it. The small handles which are fairly common on the straight-shouldered jars often have two little earlike knobs at the top; and knobs and bosses with more or less modeling of the body of the pot are frequently used to represent gourds or squashes or some other vegetable which is not easy to identify. One curious style of jar has a neck which is closed at the top, something like a gourd, but has an opening about an inch in diameter below this on the side. Modeling at the top suggests ears, a style of hair arrangement, or some other human or animal feature that gives rise to the name, “blank-faced effigy bottle.”

Effigy bottles were usually a finer grade of pottery and generally accompanied burials. The hole in the human figure is in the back of the head; the face is painted white, the body red, and the hair the natural brown of clay. Diameter of bottle, 5⁵/₁₆ inches.

In time, other changes began to mark the village of the Master Farmers. The temples, built originally at ground level, were rebuilt occasionally; and with the leveling of the old building to make way for the new the surrounding ground surface was raised at first into a small platform. Gradually this platform was increased in height and size until the mound at the south side of the village was some 300 feet broad at the base and almost 50 feet high. The other temple mounds grew in a similar fashion but were either started later or were less important and so never achieved as great a size. The earthlodges, too, were sometimes rebuilt and often on the same site; but no attempt was made to increase their elevation. The funeral mound, however, followed the pattern of the others; and in each new layer of the seven there were fresh burials of the village leaders, and on top of each a new wooden structure which may have been connected with the preparation of the dead for their final rites. In the later stages, too, the flat summit area was surrounded by an enclosure of wooden posts.

The structure atop the funeral mound may have been for preparing corpses for burial. From Museum exhibit.

At the northwest corner of the village lay a cultivated field which surrounded the site of one of the earlier temples. This was no ordinary field since most of these must have lain in the bottom land below the village. From its position, then, could we infer some sacred purpose, possibly to create an offering to the spirits, or by the power in its seed absorbed from the surroundings to increase the yield of the villagers’ crops? In any case, the mounds for succeeding structures were gradually raised above it; and by this act the rows were buried and thus preserved as conclusive proof of the advanced state of culture which the Master Farmers had achieved.

The construction of all these mounds and earthlodges required a large amount of material as well as innumerable man-hours of labor. Two series of great linked pits, averaging about 7 feet deep and 18 by 40 feet in area, seem to indicate that the earth was obtained immediately outside the main village limits, for they have been traced around considerable portions of its north and south borders. They do not enclose the entire area occupied by the temple mounds, though, because at least three of these mounds lie outside their confines today; others were destroyed in the construction of Fort Hawkins and the adjacent portions of East Macon a little farther to the north. It is not unlikely that the irregular ditches formed by these pits served also as a protection against raids on the village; for otherwise, why would their course have outlined the village area so closely?