the finish
“I suppose we can’t stick it together again?” he inquired, gazing ruefully at the broken bicycle, and I was obliged to tell him that there was not much chance of our doing so. The boy to whom it belonged bravely made the best of the matter, especially when I told him that the next half-holiday he had I would take him to Holborn to choose another one in its place.
And when I discovered that he had a half-holiday that very afternoon, it was arranged that General Mary Jane should order a carriage at the livery stable, and that we should all drive to the city after luncheon.
hippety-hoppety-plop
The Wallypug, after a good wash and a hearty breakfast, went to his room to lie down for an hour or two to recover from the effects of his accident, and I was just answering my morning letters when there was a knock at the study door, and the Rhymester entered.
“I sat up most of the night writing poetry,” he remarked, “and I have just brought you one or two specimens. The first one is called ‘The Ode of a Toad.’ Perhaps I had better read it to you. My writing is rather peculiar,” and he began as follows:
THE ODE OF A TOAD.
There was once an old toad who lived under a tree,
Hippety hop—Flippety flop,
And his head was as bald as bald could be,
He was deaf as a post and could hardly see,
But a giddy and frivolous toad was he,
With his hippety-hoppety-plop.
And he gambolled and danced on the village green,
Hippety hop—Flippety flop,
In a way that had never before been seen,
Tho’ he wasn’t so young as once he had been,
And the people all wondered whate’er he could mean,
With his hippety-hoppety-plop.