Baptisms, marriages, and funerals were looked on as nuisances; the clergyman ran them together as much as possible, and often arrived at the last minute, flinging himself off his smoking horse to gabble through the service with the greatest possible speed; children were frequently buried without any service at all.

The churches were for the most part damp and mouldy; there were, of course, none of the present conveniences for heating and lighting. Heavy galleries cut off the little light that struggled through the cobwebby windows. There were mouse-eaten hassocks, curtains on rods thick with dust, a general smell of mouldiness and disuse, and a cold, but ill-ventilated, atmosphere.

In some old country churches there still survive the family pews, which were like small rooms, and in which the occupants could read or sleep without being seen by anyone; in one or two cases there are fire-grates in these; and in one strange example at Langley, in Bucks, the pew is not only roofed in, but it has a lattice in front, with painted panels which can be opened and shut at the occupants’ pleasure, and there is a room in connection with it in which is a library of books, so that it would be quite possible for anyone to retire for a little interlude without the rest of the congregation’s being aware of it!

The church, only opened as a rule once a week, was left for the rest of the time to the bats and birds. Compare this with one of the neat, warm, clean churches to be found almost everywhere at present; churches with polished wood pews, shining brass fittings, tessellated floor in place of uneven bricks, a communion table covered by a cloth worked by the vicar’s wife, and bearing white flowers placed by loving hands. A pulpit of carved oak, alabaster, or marble, instead of a dilapidated old three-decker in which the parish clerk sat below and gave out the tunes in a droning voice.

Organs were of course very uncommon at the end of the eighteenth century in country parishes, and though there might be at times a little local music, as an accompaniment, the hymns were generally drawled out without music at all. This is Horace Walpole’s idea of church in 1791: “I have always gone now and then, though of late years rarely, as it was most unpleasant to crawl through a churchyard full of staring footmen and apprentices, clamber a ladder to a hard pew, to hear the dullest of all things, a sermon, and croaking and squalling of psalms to a hand organ by journey-men brewers and charity children.”

The sermons were peculiarly dry and dull, and it would have taken a clever man to suck any spiritual nourishment therefrom. They were generally on points of doctrine, read without modulation; and if, as was frequently the case, the clergyman had not the energy to prepare his own, a sermon from any dreary collection sufficed. The black gown was used in the pulpit.

Cowper gives a picture of how the service was often taken—

“I venerate the man whose heart is warm;

Whose hands are pure, whose doctrine and whose life

Coincident, exhibit lucid proof