“‘Yes, accident, madam,—for surely—I must take the liberty to observe—pardon me, madam,—it ought to be no common one—that should tempt a lady—so young a one too,—to be guilty of ill-manners.’
“A confused idea now for the first time entered my head, of something I had heard of the rules of an assembly, but I was never at one before—I have only danced at school—and so giddy and heedless I was, that I had not once considered the impropriety of refusing one partner, and afterwards accepting another. I was thunderstruck at the recollection....
“I afterwards told Mrs. Mirvan of my disasters, and she good-naturedly blamed herself for not having better instructed me, but she said she had taken it for granted that I must know such common customs.”
There is no trace of such a custom in Jane’s times, her partners were always numerous. At the dances at Basingstoke or in the neighbourhood, she probably knew almost everyone in the room on familiar terms; and she frequently had a brother with her to counterbalance the brothers of her girl friends. She danced well, with vivacity and grace; we can imagine her appearance without difficulty; her hair encircled by some neat bandeau or coquettish bow, her high-waisted simple frock of soft white muslin, her curls escaping in little ringlets on forehead and shoulders, her hazel eyes dancing as she parried the conversational thrusts of some too bold admirer, even as her own Elizabeth Bennet might have done. She certainly must have been popular; a girl who can talk wittily, dance well, and who is bright and sweet-tempered must always be in demand. And all the time her mind, half unconsciously, was storing up the little words and gestures of the persons around. Everything that was significant, everything that was amusing was noted, and from this storehouse she was to draw many a scene to delight unnumbered people yet unborn.
In her time, the acceptance of a dance still carried with it two dances, or the twice going up and down in the minuet.
Foolish Mrs. Bennet, overflowing with the events of the evening, on her return from the ball with her daughters, thus pours out her soul to her satirical husband—
“‘Jane was so admired, nothing could be like it. Everybody said how well she looked; and Mr. Bingley thought her quite beautiful, and danced with her twice. Only think of that, my dear, he actually danced with her twice; and she was the only creature in the room that he asked a second time. First of all he asked Miss Lucas. I was so vexed to see him stand up with her, however, he did not admire her at all; indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance. So he inquired who she was, and got introduced, and asked her for the two next. Then the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger—’”
At another ball poor Elizabeth has Mr. Collins for a partner—
“The first two dances, however, brought a return of distress; they were dances of mortification. Mr. Collins, awkward and solemn, apologising instead of attending, and often moving wrong without being aware of it, gave her all the shame and misery which a disagreeable partner for a couple of dances can give.”
In Northanger Abbey the hero and heroine first meet in the Lower Rooms at Bath at a ball, where they are introduced by the Master of the Ceremonies, but the subject of Bath is such an engrossing one that it must be treated separately in another chapter. In public ballrooms gentlemen wore swords, and ladies carried enormous fans; it must have required some practice to manage these respective weapons in a crowded room. Mr. Austen-Leigh says in a note, “Old gentlemen who had survived the fashion of wearing swords, were known to regret the disuse of that custom, because it put an end to one way of distinguishing those who had, from those who had not, been used to good society. To wear the sword easily, was an art which, like swimming or skating, required to be learned in youth.”