"If the honourable sirs will allow this humble servant to explain," he begins in fluent and perfect English.
We are only too glad of his help, and not to be outdone in politeness we simultaneously raise our hats to him. He then tells us that all these paper pellets are prayers or wishes. People write down what they want on them and then moisten them in their mouths and spit them out against the images; if the paper sticks it shows the wish will be granted, if it falls to the ground then fate is against it. It is not a very beautiful custom, but perhaps not quite so bad as betel-nut chewing!
Then the Jap coughs nervously, and with an overwhelming apology for daring to presume so far, explains that we ought to remove our "honourable shoes" before entering the temple. Of course we do it at once, though English shoes are not meant to take off and on at every turn, and while we struggle with our laces he knocks on the woodwork of the temple, and the sliding doors slip back along grooves, showing a very aged priest who smiles and beckons us in; so we pass on, feeling all the while conscious of the mystery of a country so utterly unlike our own. Inside, the floor is covered with thick mats, so we do not miss our shoes, though we step cautiously at first. It is very dim, but gradually our eyes grow accustomed to the want of light and we see lacquered screens, and little recesses, and bronze lamps, and curious images. Though it is spotlessly clean, very different from the Hindu temple, there is a strong smell of incense or burnt flowers or something rather odd. Our friendly Jap has gone down on his knees and is bowing his forehead to the ground, but we are not expected to do that evidently.
Two weird figures in peaked caps, fastened under their chins by tapes, have drifted out silently from somewhere and follow us as the priest leads us round. There does not seem to be any one special shrine with a central figure for us to see; perhaps there is one, but it is not shown to foreigners. It is all vague and rather meaningless, and the carving and decoration are unsatisfying. After a while, as there does not seem to be anything more forthcoming, we drop a few coins into a bowl held out to us and prepare to go. Just as we reach the door another strange being in a peaked cap appears with tiny cups of clear amber-coloured tea on a tray, and holds them out to us. The little cups have no handles, and there is no milk in the tea, but on the tray are several rather nice-looking little cakes, only, unfortunately, they are all the colours of the rainbow—violet and green and scarlet. I utterly refuse to touch them, but the English-speaking Jap assures me they are "nice," so you, declaring that you are "jolly hungry," eat several and pronounce them "jolly good." We sip the tea, which tastes utterly different from that we have at home, and bowing all round again we put on our shoes and descend the steps. I'm sure if I lived here long I should be quite fit to take a position at court, my "honourable" manners would be so much improved. There is nothing brusque or rough or rude about these people, you couldn't imagine them scrambling or pushing to get in front of others even at a big show.
A voice behind us says timidly, "Will the honourable sirs be pleased to employ this humble servant as interpreter?"
We stop and look at him. It is not a bad idea. We have felt already this morning, even in coming straight from our very Western hotel here, how helpless we are in this land where the chair-men do not speak a word of English, and where even the street names are in Chinese characters. This little man is quite unassuming, he would certainly be no trouble and might be very useful. When we stop he deprecatingly opens his flat book and shows us drawings in freehand of scrolls and animals that he has made. He explains that he tries to get a living by offering such designs to the shops, but that he would like better to be interpreter to us, as he wishes to perfect his English. The terms he asks are absurdly moderate. Yes, we will have him.
We engage him then and there, and he enters our service at once; there is no need for delay, for he is apparently not encumbered with anything beyond his drawing-book. He brightens up wonderfully when we say "yes." Poor little chap, I expect he is half starved. In most countries it would be rash indeed to engage a man at sight without any sort of written "character," but there is a simplicity and honesty about this one which gives us confidence in him. I am sure he would never cheat us deliberately, anyway, I am quite ready to risk it.
RICKSHAW.
We tell him that what we want is to see something of Tokyo to-day, and then to go off into the country and try to get a glimpse of the real Japanese life, un-Europeanised, in some small village where we could stay at a little country inn for a day or two. He enters into the scheme at once and says that he will have the plans all ready to suggest to us this evening. Meantime he takes command, and after seeing us into our waiting rickshaws, calls up another for himself, gives the three men directions, and off we go.