Round the Wonderful World

by G. E. Mitton

Yes, I do mean it. That isn't a hill at all, but a huge brick building called a dagoba, made by the same race of men who dug out this tank, and whose descendants to-day, with tortoise-shell combs in their hair, wait on us in the Colombo hotels.

LARGE GREY MONKEY.

We will go back now to the place where we left that native cart and driver and we'll find a dagoba which has been stripped of its trees, so that we can see what it really looks like.

Hush! Do you hear that curious singing like a chant? Wait; there is a procession of pilgrims. They come swinging round the corner of the road in their picturesque flowing garments, and just at the turn they stop and kneel with their hands held palms together before their faces, and they bow repeatedly before marching on again. Let us go and find out what it was that stopped them. We soon come to it and find that it is the seated figure of a man with one hand falling over his knee and the other on his lap, while his legs are crossed tailor-wise. It is painted white and it is not very much larger than life. This is Buddha, of whom you heard in Kandy, and all over here, and in Burma, and in a less degree in India, you will find images of him set up to remind his followers of the precepts he left for them to follow.

Our driver is dead asleep under a tree, but we manage to wake him and soon we are rattling along a tree-shaded road in the queer little cart to Ruanveli, the best known of all the dagobas. When we arrive in full view of it we dismiss the driver and climb on to a slab of stone that is raised from the ground and tilted slightly like a table with two legs higher than the others. Here we can gaze upon this extraordinary monument which rises about one hundred and fifty feet into the air, and is about two and a half times as much across, just the shape of a pudding basin, you see. It is not a temple, not even a tomb, as the Pyramids are, but a solid block built of millions and millions of bricks with a tiny chamber inside containing an infinitely precious relic, nothing less than a few of Buddha's hairs. So they say! Only the priests were allowed to go into this sacred chamber, with the exception of one king, who had this priceless privilege granted to him. It is not very many years since mighty monuments were rediscovered, because the jungle had grown up all around them and no one knew even where Anuradhapura had stood; but now there are men who spend their whole time uncovering and preserving them, just as many men are working at the excavations in Egypt; and the trees and overgrowth have been stripped from Ruanveli, which stands forth sharp and clear-cut against this beautiful sky.

Men are very much alike all the world over! This great dagoba was put up by one of the Cingalese kings, Dutugemunu, to celebrate his great victory over the Tamils, just as Rameses ii. put up the inimitable temple of Abu Simbel to celebrate his victory over the Syrians. Before Dutugemunu came to the throne the Tamils had usurped all power and made one of their own men, called Elala, king, and the young prince, exiled from his capital city, met them in battle outside the walls. He fought with great bravery, and in the end the issue of the day was decided by a single combat between him and Elala, both mounted on huge elephants. That must have been a fight indeed! Dutugemunu killed Elala and regained the throne of his fathers, but he must have been a singularly enlightened prince for his age, for he not only buried his fallen foe with great honour but he gave orders that henceforth all music should cease when bands were marching past his tomb, and that royalties were to alight from their horses or palanquins and walk past on foot to do honour to the mighty dead. Even in the nineteenth century one of the princes from Kandy, who was flying from capture, obeyed the order and would not allow himself to be carried past the spot! So the memory of Elala and the great fight he made were kept alive as Dutugemunu had intended they should be.

On this very slab where we are now sitting it is said that Dutugemunu died. If not the actual stone, it is probably the spot. It was about 140 b.c., and when he knew he was dying he gave orders that he should be carried out here, that his fast failing eyes might look their last on the greatest monument of his reign. In the midst of his great city, with its fine buildings and the great tanks he had caused to be made to give the people water, he thought most of all of Ruanveli, partly because of the sacred relic enclosed, but partly also because he had done a wonderful thing in paying for all the labour that was used in its building, instead of forcing his subjects to work for nothing, as was the custom in his time.

There is much to examine in Ruanveli; we can see the casing of granite running up the sides, we can examine a statue of the king himself and many wonderful carvings; around the dagoba runs a magnificent granite platform wide enough for six elephants to walk abreast, as no doubt they did many times in the gay processions on festival days.

Behind the dagoba, not far off, is an immense lake, or tank, much larger than that we saw this morning. It was considered a peculiar work of merit for kings to make these tanks so that water could be stored up for the use of the people, and they are found all over Ceylon; there is one twenty miles in length!