But Parkyn did not die—his skull was not fractured. This was very fortunate, in the light of subsequent events, for he developed symptoms of meningitis, and hovered between life and death for many weeks. I remained in the city to care for him and was a proud and happy man when I was able to pronounce him out of danger.
How poor Parkyn raved as his fever and delirium rose! No one but myself knew the story of his wild, ecstatic visions and apparently erratic talk—and I said nothing.
During his illness I had occasion to open Parkyn’s trunk. While rummaging about in search of his wearing apparel, I found the pictured dream of his artist days. I knew then how powerful was the shock that made my poor friend, in intent, at least, a murderer. I care not what the world may say of the vagaries of foolish old doctors and the maunderings of aged, would-be philosophers; I care not who may doubt;—I held in my hands the picture of the beautiful subject of the dissecting hall. Beautiful beyond the power of pen or tongue to portray, realistic to a living, breathing, sentient degree, I beheld the portrait of the original of the lifeless clay which was the central figure of the romance of the dissecting room.
When Parkyn recovered from his illness his mind was a blank, so far as his artistic training and the romance of the picture and corpse were concerned. I concealed the picture, deeming it unwise to revive dangerous memories in his mind. It remained in my possession for several years. I kept it hidden because it seemed a sacrilege to permit it to be gazed upon by the eyes of the commonplace. My office was finally destroyed by fire, and I confess that I was not sorry when I discovered that the trunk which contained the painting was not among the properties saved from the flames.
Parkyn became a plodding practitioner in a little country town in New York State. I visited him some years later, and found that his ideals were represented by a short, dumpy, motherly, little red-headed wife and half a dozen tow-headed, freckle-faced youngsters that looked for all the world like turkey eggs and jack o’ lanterns.
A MATTER OF PROFESSIONAL SECRECY
The day had been a trying one. Four capital operations, between the hours of eight and ten in the morning, fifteen minutes for washing up and changing back from the rubber and white duck of the operating room to my ordinary habiliments, and with my usual fear that I was still redolent with the fumes of ether and that sickish odor of the combined horrors of blood and iodoform, I was off for my clinic at the medical school as fast as my team of thoroughbreds could take me.
A strenuous hour of teaching and, my nervous force already nearly exhausted, although my day’s work had just begun, I hurried to my office, taking barely enough time en route to swallow a hasty lunch. And then came an afternoon of arduous office work, with, it seemed to me, more patients and more tough problems and petty annoyances than usual.
My office hours over, I was privileged to spend a half hour at dinner, before attending to several consultations. I wound up the day by calling at the hospital and looking over the cases I had operated in the morning, and was then driven homeward, fairly worn out, by what was, after all, merely an average day in the life of the college professor.