b. The lax Archaic-Doric, slender, with more distinctly-tapering columns.
c. The stern Archaic-Doric, more finished and graceful in its proportions.
d. The pure Doric, most correct in all its details.
e. The Attic-Doric, during the rule of Perikles, combining utmost severity with the very highest refinement in execution.
f. The Makedonian-Doric style; not correctly proportioned, the columns becoming elongated, and the distances narrowed. Gorgeousness and vanity predominate.
B. The Ionic order had three distinct phases of development in style.
a. The first simple in form, with the strongly-pronounced volute.
b. The richly ornamented style, as in the temple of Minerva Polias.
c. The compound style; half Doric and half Ionic.
C. The Korinthian order passed through four phases of style: