The Austrian Royal Hunting Carpet.—Next in prominence to the Ardebil Carpet comes the Royal Hunting Carpet of the Austrian Imperial and Royal Court, which is said to have been presented by Peter the Great. It is a Persian rug of great antiquity and shows Chinese influence in the design, which includes elaborately woven horsemen in pursuit of deer and other animals and winged gods in contest with lions and buffaloes.
The Indian Hunting Rug of the Boston Museum of Fine Arts is perhaps the most noted of the forty-seven pieces which were in the recent Metropolitan exhibit. It was made in India about 1640, is eight feet three inches long by five feet three inches wide and contains about three hundred and sixty knots to the square inch. Its predominating color is red. In the upper left-hand corner are a couple of buildings in which are seated in Oriental style several individuals. Below these buildings are several deer, a chained leopard in a cart drawn by a bullock, hunters, a winged elephant, tigers, and goats, all of which are interspersed with floral and tree forms. There are three border stripes, the centre one of which is the wider and carries leaf-shaped panels containing faces. Each one of these panels is separated by a bird and small floral forms upon a cream-colored ground. The two narrow stripes carry designs in light and dark blue, pink and red. This rug was purchased at $35,000 by the late Governor Ames of Massachusetts and presented to the Boston Museum of Fine Arts.
The Altman Prayer Rug, owned by Mr. Benjamin Altman of New York City, was made in North Persia about 1580. It is similar to one which was in the Yerkes sale and to another one which was shown at the recent Munich exhibition of Mohammedan art. It has beautiful floral designs with arabesques and Chinese motifs in deep shades of red, blue, and yellow, many of the designs being worked with light yellow or silver thread in the ghileem style. The Mihrab is the Persian style, from which hangs a mosque lamp which is covered with red, yellow, and pink flowers on a green ground. The lower part of the field is covered with various floral and tree forms in yellow with pink blossoms. There are two border stripes. The inner one has a yellow ground, the lower part of which is covered with arabesques and the upper part with Arabic inscriptions in blue which read "May the Blessing of God rest upon them all. There is no God but Allah (the true God); Mohammed is the prophet of God. Ali is the saint of God. God the exalted one says: Verily God and His angel shower their blessings upon the prophet. Oh ye faithful send your blessings with Him, as well as offer your salutations unto Him." The outer border has a blue ground upon which are rounded octagons and oblong panels in gray, the latter containing inscriptions from the Koran in black. Size five feet five inches by three feet three inches.
THE ALTMAN PRAYER RUG
BY COURTESY OF MR. BENJAMIN ALTMAN
The Metropolitan Animal Rug (see illustration at p. [26]), from the Ardebil Mosque, was made in Northern Persia about 1530. It was purchased by the Metropolitan Museum of Art from the Yerkes collection. On a claret colored ground are the repeated figures of a lion, a jackal, and a spotted deer in deadly combat. There are also running boars amid a profusion of flowers. There are three border stripes, a wide one with a narrow one on either side. The former is filled with arabesques and cloud bands in blue and pink on a ground of dark blue. The inner stripe carries a green design on a yellow ground and the outer stripes carry a floral design on a red ground. In size it is ten feet eleven inches long by five feet ten inches wide and has in the neighborhood of four hundred knots to the square inch.
The Baker Hunting Rug (see illustration at page [338]), owned by Mr. George F. Baker of New York City, is also one of the four famous mosque rugs of Ardebil. It was woven about the middle of the 16th century; it is about fourteen by six feet and contains upwards of five hundred knots to the square inch. It is a harmonious blending of red, blue, green, pink, brown, old rose, cream, white, and silver, the predominating color of the field being a dark red. It has three central medallions, one large one and a smaller one just above and below it, with a quarter segment of a cusped circle in each corner of the field to match. Intermediate spaces are filled with flowering branches, fish and animals, the latter being worked with silver thread in the ghileem stitch. There is one wide border stripe with a narrow one on either side. The former has a back of cream and carries alternately round and oblong medallions which contain verses from the Koran in silver.
