The steeple, a little later, had much attention devoted to it. It was in a dangerous way in 1679, and Mr. Guy, a celebrated architect, was asked to report on it. He stated that it was very ruinous and ready to break down into the church; that the plates were rotten, the girders quite rotted through, and all the lead so thin that it could not be repaired; that three corners also of the stonework were so rent and crooked that they would need to be taken down. “He supposed that the making good of the stone tower, the taking down of the old spire and putting up of a new, and to sufficiently cover the same with lead would cost £1,000 over and besides the old lead and timber.” His was a very alarming statement, but he was not intrusted with the superintendence of this extensive piece of work. The dean and chapter seem to have hoped that the matter was not really quite so serious. A few months later they consulted Henry Fry, a carpenter of Westminster, and he declared that the mending of the lead and of one end of a beam at the lower end of the east side of the spire would be sufficient to keep it from falling. He was evidently skilful and honest, for with his, and some slight subsequent repairs, the spire stood for another sixty-nine years. One would think that he deserved more than the 30s. paid to him for his visit and report.
A sum of £160 was, in 1688, spent on the repairing of the old organ and on a new chair organ, a name often wrongly altered to ‘choir organ.’ In 1705 the nave was newly leaded, the names of Henry Turner, carpenter, Thomas Barker, plumber, and John Gamball, bricklayer, being inscribed with those of the bishop, dean, prebendaries, and verger on one of the sheets. The altar-piece of Norway oak, “plain and neat,” which retained its place throughout the century, was probably constructed in 1707. A sketch of its history, with notices of the various adornments that it had at different times, will be given when the furniture of the choir is described. In 1724 a return was made to Bishop Bradford that three-quarters of the whole roof had been re-leaded within the previous twenty years, and that the rest was believed to be in good order. There was then no defect in the walls reported; the windows were said to be in good repair and the pavement also. Until 1730 the bells were rung from a loft or gallery over the steps to the choir, the approach being from Gundulf’s tower. This gallery was then removed, and the vaulting of the crossing finished to match that of the south transept, which had been repaired and decorated not long before according to a plan by Mr. James. At the same time the order was given for the part of the organ screen towards the nave to be wainscoted.
Very considerable repairs and alterations were made in the choir during the years 1742-43, under the direction of Mr. Sloane. While they were in progress, for the space of a year and a quarter, the dean and chapter attended service at St. Nicholas Church. New stalls and pews were erected and the partition walls wainscoted; a pavement was laid “with Bremen and Portland stone beautifully disposed;” and an episcopal throne was presented by Bishop Wilcocks and placed opposite the pulpit, where the present throne now stands. Much white-washing was done at this time, even the numerous Purbeck marble shafts being covered with it. In 1788, however, they are mentioned as polished once more and restored to their original beauty. From shortly after the Restoration until about the time of these alterations, the inclosure of the bishop’s consistory court had been situated near the west end of the south aisle of the nave. It was now removed to the Lady Chapel, where it remained until well on in the present century.
The steeple had, at last, to be rebuilt in 1749. Mr. Sloane’s model of its woodwork was for many years preserved in St. William’s Chapel, and has since been kept in the crypt, where it still remains, but in a very dilapidated condition. In 1763 the northern of the towers flanking the west front was considered to be in a dangerous state, and was taken down, together with the upper part of the north aisle end beside it. It was rebuilt soon afterwards. A bequest of £100, in 1765, by Dr. John Newcome, dean of the cathedral and master of St. John’s College, Cambridge, towards the repair of the fabric, was probably intended to help this work. The new tower was professedly a careful reproduction of the old, but its incongruities have formed one of the reasons for the recent thorough renovation, instead of mere repairing, of the west front. It was only carried up to about half its former height, and was there, with the aisle end, finished off with battlements. This was all done before 1772, as an engraved view of the west front in that year shows. The southern tower is in this view still unlowered, but it was cut down, to match its fellow in height, soon afterwards.
For a long time previously the outer walls of the south choir aisle and south choir transept had occasioned great anxiety. They were not buttressed originally, like the similarly situated walls on the other side of the church, probably because they had the cloister and other conventual buildings to support and shelter them. Several attempts were made, in particular, to render the transept secure. A first was by the fixing of wooden ties, with large iron bolts, in the main timbers of the roof; a second, in 1751, in pursuance of advice by Mr. Sloane, by the raising of two great brick buttresses; and a third, about twenty years later, by lightening the roof. These were useful for a time, but, as the wall was still evidently declining, Mr. Mylne was consulted and, by his direction, piles of bricks were erected in the undercroft, and other methods were used to discharge the weight of the upper works. These schemes were brutal and inartistic. Though they answered their purpose for some years, they were afterwards found to be doing harm rather than good.
north-west view, early nineteenth century
(from an engraving by john coney, 1816).
In his “History of Kent” (1782) Hasted gives expression to some very gloomy views as to the state of the fabric. We there read: “The whole bears venerable marks of its antiquity, but time has so far impaired the strength of the materials with which it is built, that, in all likelihood, the care and attention of the present chapter, towards the support of it, will not be sufficient to prevent the fall of great part of it, even in their time.” Dr. Denne, however, thought the case, though bad, not quite so hopeless as this, and his more sanguine opinion has proved to be correct. Constant care, however, has had to be bestowed on the place.
A fine new organ was constructed for the cathedral in 1791. During the closing years of the eighteenth century or the earliest ones of the nineteenth occurred the destruction of the upper portion of Gundulf’s tower, which was, before it suffered this injury, one of the most curious and interesting pieces of architecture in England. Some sketch-books of Mr. Essex, who was, in the closing years of last century, employed on restorations in the cathedral, are preserved in the Department of MSS. at the British Museum. They contain many notes on, and sketches of, the building and details in it, but nothing of interest for this history as they do not illustrate his work in the church.