In the next bay to the west we have a dark marble monument, very like that of Bishop Lawrence de St. Martin, and possibly even by the same artist. Its canopy is, however, simpler. This tomb seems to be correctly attributed to Bishop Inglethorp, who died in 1291.
Passing the sedilia we come to a peculiar, probably thirteenth century, coffin, which still contained a skeleton when it was found in the crypt under the north choir transept during the clearance of some rubbish in 1833. The lid rises in dos d’âne form, and along the ridge run two leafed rods, in relief, which bend outwards in scrolls, at the centre, just before they meet (see p. [105]).
We now turn, finally, to notice another interesting stone coffin in the middle of the south choir transept end. This, also probably of the thirteenth century, has on its lid a cross in relief, the stem of which, with three pairs of curious drooping leaves, rises from a graduated base. This is probably one of two coffins, to which the Rev. S. Denne alludes as having existed in this part of the church. This, or the other, had been, he says, broken open by the Parliamentarians, and a chalice and crucifix removed therefrom.
Stained Glass in the Choir.—The six windows of the east end were given, in 1873, by ladies and gentlemen of the neighbourhood. They celebrate the successive dedications of the church to St. Andrew, and to Christ and the Blessed Virgin Mary. The middle window of the upper range contains a representation of Our Lord in Glory, that of the lower tier the scene of his Ascension. On the right hand is a figure of the Blessed Virgin above a picture of the Nativity, while on the other side a figure of St. Andrew, and the Call of that Apostle and St. Peter, are to be seen.
The four upper windows on the south side of the presbytery contain single figures of the four Evangelists, and commemorate, in order, Dean Stevens, T. H. Day, Esq., Mrs. Day and Mrs. Thorold. In the corresponding windows on the other side are pictured four writers of Epistles, St. Paul, St. James, St. Jude, and St. Peter.
It has been arranged that the four lower, three-lighted windows on the south side shall contain the twelve Apostles, one figure in each light. In the second from the east end we see (in memory of Alfred Smith, Esq.) St. John, St. Bartholomew, and St. Philip; and in the fourth (which commemorates Miss Nicholson), St. Jude, St. Simon, and St. Matthias appear. The others are still unfilled. The similar windows opposite illustrate scriptural allusions to Christ as the Good Shepherd. They are in memory of Dr. T. Robinson, Mrs. Griffith, General Travers, R.M., and Dr., once Canon Griffith; and show the Shepherd tending his sheep (St. John, x. 14-16); the Shepherd smitten and the sheep scattered (Zech., xiii. 7, St. Matt., xxvi. 31); the Crucifixion, where the Shepherd gives his life for the sheep (St. John, x. ii); and lastly, the Son of Man dividing the good from the evil, as a Shepherd divides the sheep from the goats (St. Matt., xxv. 31-46).
In St. John the Baptist’s Chapel there is a single stained window, with our Lord’s Ascension, in memory of Lieut. F. N. Hassard, R.E. Passing to the north transept we find the outer upper windows filled only with plain glass, while the middle one has a figure of St. Gregory, inserted in memory of Captain W. Walton Robinson, R.E., who died at Aden in 1887. The windows of the lower range contain figures of St. Gundulf, St. Paulinus, and Walter de Merton, and commemorate respectively Canon S. Dewe (d. 1885), Dr. G. Murray, Bishop of Sodor and Man and afterwards of Rochester (d. 1860), and Mrs. Maxwell Hyslop (d. 1888). Each of these four windows of the transept end contains a small scene beneath the single figure. The tiny light over Walter de Merton’s Elizabethan effigy was glazed, after the recovery of Mr. Thomas Aveling from a serious illness, by his family, and illustrates the miracle of the healing of the nobleman’s son.
All the glass described above is the work of Messrs. Clayton and Bell. The two plainer windows to the Merton tomb are by J. Miller.