Miss Susannah entertained no such scruples. Inflicting on her nephew a very tearful embrace, she sobbed out incoherent congratulations on the decision at which her eldest sister had arrived.
"But we mustn't let the dear girl find it out," said this sensitive, weak-minded, but generous-hearted lady. "We should make no sort of difference in our treatment of her, of course, but we must take great care not to let anything betray us in our manner. I am not good at concealment, I know, but I will undertake that she never suspects anything from mine."
The fallacy of this assertion was so transparent that Simon could not forbear a smile.
"Better make a clean breast of it at once," said he. "Directly there's a mystery in a family, Aunt Susannah, you may be sure there can be no union. It need not be put in a way to hurt her feelings. On the contrary, Aunt Jemima might impress on her that we count on her assistance to keep the pot boiling. Why, she's saving us pounds and pounds at this moment. Where should I get such a model for my Fairy Queen, I should like to know? It ought to be a great picture--a great picture, Aunt Susannah, if I can only work it out. And where should I be if she left me in the lurch? No--no; we won't forget the bundle of sticks. I'll to the maul-stick, and you and Aunt Jemima shall be as cross as two sticks; and as for Nina, with her bright eyes, and her pleasant voice, and her merry ways, I don't know what sort of a stick we should make of her." "A fiddlestick, I should think," said that young lady, entering the room from the garden window, having heard, it is to be hoped, no more than Simon's closing sentence. "What are you two doing here in the dark? It's past eight--tea's ready--Aunt Jemima's down--and everything's getting cold."
Candles were lit in the next room, and the tea-things laid. Following the ladies, and watching with a painter's eye the lights and shades as they fell on Nina's graceful beauty, Simon Perkins felt, not for the first time, that if she were to leave the cottage, she would carry away with her all that made it a dear and happy home, depriving him at once of past, present, and future, taking from him the very cunning of his handicraft, and, worse still, the inspiration of his art.
It was no wonder she had wound herself round the hearts of that quiet little family in the retired Putney villa. As like Maud Bruce in form and feature, as though she had been her twin sister, Nina Algernon possessed the same pale, delicate features, the same graceful form, the same dark, pleading eyes and glossy raven hair; but Mr. Bruce's elder and unacknowledged daughter had this advantage over the younger, that about her there was a sweetness, a freshness, a quiet gaiety, and a bonhomie such as spring only from kindliness of disposition and pure unselfishness of heart. Had she been an ugly girl, though she might have lacked admirers, she could not have long remained without a lover. Being as handsome as Maud, she seemed calculated to rivet more attachments, while she made almost as many conquests. Between the sisters there was a similitude and a difference. One was a costly artificial flower, the other a real garden rose.
CHAPTER IX
THE USUAL DIFFICULTY
Maud's instincts, when, soon after her father's death, she felt a strong disinclination to live with Aunt Agatha, had not played her false. As inmates of the same house, the two ladies hit it off badly enough. Perhaps because in a certain imperiousness and hardness of character they were somewhat alike, their differences, though only on rare occasions culminating in a battle royal, smouldered perpetually, breaking out, more often than was seemly, in brisk skirmish and rapid passage of arms.