It is however with the inside of the mansion that we have now to do, and with those gentle beings who constitute a home, without whom a palace is little better than a dungeon.
Breakfast has been over at the Dove-cote for an hour or so. Cissy and her mamma have established themselves in what they call “the little drawing-room”—a snug apartment of small dimensions, with windows opening to the ground, and “giving,” as the French say, on a neatly laid-out garden, in spring and summer the peculiar care of the daughter of the house. To-day, however, flowers and blossoms are replaced by a million sparkling gems, formed by last night’s white frost, which is melting rapidly under the noon-day sun. Inside, the furniture is of a rich and somewhat gaudy pattern, assorting well with the rose-tinted muslin curtains and multiplicity of looking-glasses, which are so characteristic of a lady’s bower; whilst a thousand pretty knick-knacks, and a graceful litter of books, music, work, paper-lights, stray gloves, and gossamer handkerchiefs betray at once the sex of the occupants. A little statuette of a Cupid in tears, with nothing on but a quiver, occupies a niche between the windows, under a portrait of Miss Dove, depicted by the artist in a graceful attitude on the chestnut horse, attired in a blue riding-habit, with her hat off, and her hair falling about her shoulders, as, it is only right to observe, she is not in the habit of wearing it when taking equestrian exercise. Altogether the painter’s idea seems to have been borrowed from a French print entitled “The Rendezvous,” representing a disconsolate damsel waiting for a gentleman in a wood—not in the best of humours, as is natural under the circumstances,—and sitting her white horse in a listless, woe-begone attitude, unworthy of an Amazon. The laggard, however, is perceptible in the far distance, making up for lost time on an exceedingly bad goer, whose “form” must at once absolve him of intentional unpunctuality in the eyes of his ladye-love. As a pendant to this work of art, hangs a portrait in crayons of Mrs. Dove, done some years ago, when people wore bunches of ringlets and a high comb at the back of the head—a fashion by no means unbecoming to the original, who must have been a sufficiently handsome young woman when she sat for this likeness. Indeed, the Reverend, no mean judge of “make-and-shape,” always declared (at least in his wife’s presence) that Cissy could not hold a candle to what her mother had been in her best days.
That matron, though somewhat voluminous in person and too highly coloured, is by no means bad-looking even now. As she sits at the window, shaping a little child’s shirt for a poor parishioner (Mrs. Dove is a managing, bustling person—prejudiced, it may be, and deaf to argument, as what woman is not? but overflowing with the milk of human kindness), a judicious artist might tone her down into a very picturesque study of “A lady in the prime of life.”
She looks up from her work, and casts her eye across the trim garden over many a mile of undulating prairie, to where a dim smoke in the far distance denotes the locality of Harborough.
“Cissy,” observes the matron, “wasn’t that Papa going round to the stables?”
Cissy raises those killing eyelashes from her crochet, and dutifully replies—“Yes, Mamma. He’s only going to smoke his cigar as usual. I’m glad it’s not a hunting-day: we shall have him all to ourselves till luncheon.”
Miss Dove pets her papa immensely; and it is needless to remark that, although on occasion he runs rusty with his wife, his daughter can wind him round her little finger at will.
“That reminds me,” continues Mrs. D., in the inconsequent manner in which ladies follow out the thread of their reflections—“that reminds me we haven’t had any visitors lately from over there,” nodding with her head in the direction of Market Harborough.
Cissy looks very innocent in reply, and observes that “Gentlemen seem to make hunting the one great business of life.”
Mamma, whose rest for the last five-and-twenty years has been broken every winter whenever the nights have been symptomatic of frost, and who can scarcely be expected to share the anxiety which drives the Reverend at short intervals from the connubial couch to open the window and look out, is unable to controvert so self-evident a proposition; so she tries back on their Harborough friends.