I have ridden hunters that obviously found great pleasure in watching hounds, and, except to measure their fences, would never take their eyes off the pack from field to field, so long as we could keep it in sight. These animals too, were, invariably fine jumpers, free, generous, light-hearted, and as wise as they were bold.
I heard a very superior performer once remark that he not only rode every horse differently, but he rode the same horse differently at every fence.
All I can say is, he used to ride them all in the same place, well up with the hounds, but I think I understand what he meant. He had his system of course, like every other master of the art, but it admitted of endless variations according to circumstances and the exigencies of the case. No man, I conclude, rides so fast at a wall as a brook, though he takes equal pains with his handling in both cases, if in a different way, nor would he deny a half-tired animal that support, amounting even to a dead pull, which might cause a hunter fresh out of his stable to imagine his utmost exertions were required forthwith. Nevertheless, whether “lobbing along” through deep ground at the punishing period, when we wish our fun was over, or fingering a rash one delicately for his first fence, a stile, we will say, downhill with a bad take-off, when we could almost wish it had not begun, we equally require such a combination of skill, science, and sagacity, or rather common-sense, as goes by the name of “hand.” When the player possesses this quality in perfection it is wonderful how much can be done with the instrument of which he holds the strings. I remember seeing the Reverend John Bower, an extraordinarily fine rider of the last generation, hand his horse over an ugly iron-bound stile, on to some stepping-stones, with a drop of six or seven feet, into a Leicestershire lane, as calmly as if the animal had been a lady whom he was taking out for a walk. He pulled it back into a trot, sitting very close and quiet, with his hand raised two or three inches above the withers, and I can still recall, as if I had seen it yesterday, the curve of neck and quarters, as, gently mouthing the bit, that well-broken hunter poised lightly for its spring, and landing in the same collected form, picked its way daintily, step by step, down the declivity, like a cat. There was a large field out, but though Leicestershire then, as now, had no lack of bold and jealous riders, who could use heads, hands, and beyond all, their heels, nobody followed him, and I think the attempt was better left alone.
Another clergyman of our own day, whose name I forbear mentioning, because I think he would dislike it for professional reasons, has the finest bridle-hand of any one I know. “You good man,” I once heard a foreigner observe to this gentleman, in allusion to his bold style of riding; “it no matter if you break your neck!” And although I cannot look on the loss of such valuable lives from the same point of view as this Continental moralist, I may be permitted to regret the present scarcity of clergymen in the hunting-field. It redounds greatly to their credit, for we know how many of them deny themselves a harmless pleasure rather than offend “the weaker brethren,” but what a dog in the manger must the weaker brother be!
I have never heard that these “hunting parsons,” as they are called, neglect the smallest detail of duty to indulge in their favourite sport, but when they do come out you may be sure to see them in the front rank. Can it be that the weaker brother is jealous of his pastor’s superiority in the saddle? I hope not. At any rate it seems unfair to cavil at the enjoyment by another of the pursuit we affect ourselves. Let us show more even-handed justice, if not more charity, and endeavour at least to follow the good man’s example in the parish, though we are afraid to ride his line across the fields.
It would be endless to enter on all the different styles of horsemanship in which fine hands are of the utmost utility. On the race-course, for instance, it seems to an outsider that the whole performance of the jockey is merely a dead pull from end to end. But only watch the lightest urchin that is flung on a two-year-old to scramble home five furlongs as fast as ever he can come; you will soon be satisfied that even in these tumultuous flights there is room for the display of judgment, patience, though briefly tried, and manual skill. The same art is exercised on the light smooth snaffle, held in tenacious grasp, that causes the heavily-bitted charger to dance and “passage” in the school. It differs only in direction and degree. As much dexterity is required to prevent some playful flyer recently put in training from breaking out in a game of romps, when he ought to be minding his business in “the string” as to call forth the well-drilled efforts of a war-horse, answering wrist and leg with disciplined activity, ready to “rein back,” “pass,” “wheel,”—
“And high curvet that not in vain,
The sword-sway may descend amain
On foeman’s casque below.”
Chifney, the great jockey of his day, wrote an elaborate treatise on handling, laying down the somewhat untenable position, that even a racehorse should be held as if with a silken thread.
I have noticed, too, that our best steeplechase riders have particularly fine hands when crossing a country with hounds; nor does their professional practice seem to make them over-hasty at their fences, when there is time to do these with deliberation. I imagine that to ride a steeplechase well, over a strong line, is the highest possible test of what we may call “all-round” horsemanship. My own experience in the silk jacket has been of the slightest; and I confess that, like Falstaff with his reasons, I never fancied being rattled quite so fast at my fences “on compulsion.”
One of the finest pieces of riding I ever witnessed was in a steeplechase held at Melton, as long ago as the year 1864, when, happening to stand near the brook, eighteen feet of water, I observed my friend Captain Coventry come down at it. Choosing sound ground and a clear place, for it was already beginning to fill with numerous competitors, he set his horse going, at about a hundred yards from the brink; in the most masterly manner, increasing the pace resolutely but gradually, so as not to flurry or cause the animal to change his leg, nearly to full speed before he took off. I could not have believed it possible to make a horse go so fast in so collected a form; but with the rider’s strength in the saddle, and perfectly skilful hands, he accomplished the feat, and got well over, I need hardly say, in his stride.