"Yes," I thought, "from this very day I will devote all my thoughts, all my energies, to the one great work. Beautiful, superior, unattainable as she is, surely the whole devotion of a life must count for something--surely God will not permit a human being to sacrifice his very soul in vain." (Folly! folly! Ought I not to have known that this very worship was idolatry, blasphemy of the boldest, to offer the creature a tribute that belongs only to the Creator--to dare to call on His name in witness of my mad rebellion and disloyalty?) "Surely I shall some day succeed, or fall a victim to that which I feel convinced must be the whole aim and end of my existence. Yes, I will consult my kind old father--I will declare myself at once honestly to Sir Harry. After all, I, too, am a gentleman; I have talents; I will make my way; with such a goal in view I can do anything; there is no labour I would shrink from, no danger I should fear to face, with Constance as the prize of my success;" and I reached the old worn-out gates of Alton Grange repeating to myself several of those well-known adages that have so many premature and ill-advised attempts to answer for--"Fortune favours the bold;" "Faint heart never won fair lady;" "Nothing venture, nothing have," etc.

CHAPTER XIV

THE PICTURE

My father was very weak, and looked dreadfully ill: the doctor had recommended repose and absence of all excitement; "especially," said the man of science, "let us abstain from painting. Gentle exercise, generous living, and quiet, absolute quiet, sir, can alone bring us round again." Notwithstanding which professional advice, I found the patient in his dressing-gown, hard at work as usual with his easel and colours, but this time the curtain was not hastily drawn over the canvas, and my father himself invited me to inspect his work.

I came in heated and excited; my father was paler than ever, and seemed much exhausted. He looked very grave, and his large dark eyes shone with an ominous and unearthly light.

"Vere," said he, "sit down by me. I have put off all I had to say to you, my boy, till I fear it is too late. I want to speak to you now as I have never spoken before. Where have you been this morning, Vere?"

I felt my colour rising at the question, but I looked him straight in the face, and answered boldly, "At Beverley Manor, father."

"Vere," he continued, "I am afraid you care for Miss Beverley,--nay, it is no use denying it," he proceeded; "I ought to have taken better care of you. I have neglected my duty as a father, and my sins, I fear, are to be visited upon my child. Look on that canvas, boy; the picture is finished now, and my work is done. Vere, that is your mother."

It was the first time I had ever heard that sacred name from my father's lips. I had often wished to question him about her, but I was always shy, and easily checked; whilst he from whom alone I could obtain information, I have already said, was a man that brooked no inquiries on a subject he chose should remain secret, so that hitherto I had been kept in complete ignorance of the whole history of one parent. As I looked on her likeness now, I began for the first time to realise the loss I had sustained.

The picture was of a young and gentle-looking woman, with deep, dark eyes, and jet-black hair; a certain thickness of eyebrows and width of forehead denoted a foreign origin; but whatever intensity of expression these peculiarities may have imparted to the upper part of her countenance, was amply redeemed by the winning sweetness of her mouth, and the delicate chiselling of the other features. She was pale of complexion, and looked somewhat sad and thoughtful; but there was a depth of trust and affection in those fond eyes that spoke volumes for the womanly earnestness and simplicity of her character. It was one of those pictures that, without knowing the original, you feel at once must be a likeness. I could not keep down the tears as I whispered, "Oh, mother, mother, why did I never know you?"