CHAPTER XXVII
GHOSTS OF THE PAST
Every one has heard of the gentleman who went to spend a fortnight at Vienna in the prime of his youth, and died there at a ripe old age, having never afterwards been beyond the walls of the town. Though the climate is allowed to be detestable, the heat of summer being aggravated by a paucity of shade and a superabundance of dust, whilst the rigorous cold of winter is enhanced by the absence of fire-places and the scarcity of fuel; though the streets are narrow and the carriages numerous, the hotels always full, and the shops very dear; though the police is strict and officious to a degree, and its regulations tyrannical in the extreme; though every house, private as well as public, must be closed at ten o'clock, and a ball-giver or lady who "receives" must have a special permission from the Government,--yet, with all these drawbacks, no city in the world, not even lively Paris itself, seems so popular with pleasure-seekers as Vienna. There is a gaiety in the very air of the town: a smiling, prosperous good-humour visible on the countenances of its inhabitants, a picturesque beauty in the houses, a splendid comfort in the shops, and a taste and magnificence in the public buildings, which form a most attractive tout ensemble.
Then you lead a pleasant, cheerful, do-nothing sort of life. You have your coffee in bed, where you can also read a novel in perfect comfort, for German beds have no curtains to intercept the morning light, or make a bonfire of the nocturnal student. You perform an elaborate toilet (are not Vienna gloves the only good fits in the world?), and you breakfast about noon in the salon of some luxurious hotel, where you may sit peradventure between an Austrian Field-Marshal, decorated with a dozen or so of orders, and a Polish beauty, who counts captives by the hundred, and breaks hearts by the score. Neither will think it necessary to avoid your neighbourhood as if you had confluent small-pox, and your eye as if you were a basilisk, simply because you have not had the advantage of their previous acquaintance. On the contrary, should the courtesies of the table or any chance occurrence lead you to hazard a remark, you will find the warrior mild and benevolent, the beauty frank and unaffected. Even should you wrap yourself up in your truly British reserve, they will salute you when they depart; and people may say what they will about the humbug and insincerity of mere politeness, but there can be no doubt that such graceful amenities help to oil the wheels of life. Then if you like to walk, have you not the Prater, with its fine old trees and magnificent red deer, and its endless range of woodland scenery, reminding you of your own Windsor forest at home; if you wish to drive, there is much beautiful country in the immediate vicinity of the town; or would you prefer a quiet chat in the friendly intimacy of a morning visit, the Viennese ladies are the most conversational and the most hospitable in the world. Then you dine at half-past five, because the opera begins at seven, and with such a band who would miss the overture? Again, you enter a brilliant, well-lighted apartment, gay with well-dressed women and Austrian officers in their handsome uniforms, all full of politeness, bonhommie, and real kindness towards a stranger. Perhaps you occupy the next table to Meyerbeer, and you are more resolved than ever not to be too late. At seven you enjoy the harmony of the blessed, at a moderate outlay that would hardly pay for your entrance half-price to a farce in a London theatre, and at ten o'clock your day is over, and you may seek your couch.
I confess I liked Vienna very much. My intimacy with Victor gave me at once an introduction into society, and my old acquaintance with the German language made me feel thoroughly at home amongst these frank and warm-hearted people. It has always appeared to me that there is more homely kindliness, more heart, and less straining after effect in German society than in any other with which I am acquainted. People are less artificial in Vienna than in Paris or in London, better satisfied to be taken for what they really are, and not what they wish to be, more tolerant of strangers, and less occupied about themselves.
I spent my days very happily. Victor had recovered his spirits, those constitutional good spirits that in the young it requires so much suffering to damp, that once lost never return again. Valèrie was charming as ever, it may be a little more reserved than formerly, but all the more kind and considerate on that account; then when I wearied of society and longed for solitude and the indulgence of my own reflections, could I not pace those glorious galleries of ancient art, and feast my eyes upon the masterpieces of Rubens or Franceschini, in the Hotel Liechtenstein and the Belvedere? My father's blood ran in my veins, and although I had always lacked execution to become a painter, keenly and dearly could I appreciate the excellencies of the divine art. Ah! those Rubenses, I can see them now! the glorious athletic proportions of the men, heroes and champions every one; the soft, sensuous beauty of the women,--none of your angels, or goddesses, or idealities, but, better still, warm, breathing, loving, palpable women, the energy of action, the majesty of repose, the drawing, the colouring, but above all the honest manly sentiment that pervades every picture. The direct intention so truthfully carried out to bid the human form and the human face express the passions and the feelings of the human heart. I could look at them for hours.
Valèrie used to laugh at me for what she called my new passion--my devotion to art; the goddess whom I had so neglected in my childhood, when with my father's assistance I might have wooed and won from her some scraps of favour and encouragement. One morning I prevailed on Victor and his sister to accompany me to the Hotel Liechtenstein, there to inspect for the hundredth time what the Countess termed my "last and fatal attachment," a Venus and Adonis of Franceschini, before which I could have spent many a long day, quenching the thirst of the eye. It was in my opinion the chef-d'oeuvre of the master; and yet, taking it as a whole, there was no doubt it was far from a faultlessly-painted picture. The Adonis appeared to me stiffly and unskilfully drawn, as he lay stretched in slumber, with his leash of hounds, undisturbed by the nymphs peering at him from behind a tree, or the fat golden-haired Cupids playing on the turf at his feet. All this part of the picture I fancied cold and hard; but it was the Venus herself that seemed to me the impersonation of womanly beauty and womanly love. Emerging from a cloud, with her blue draperies defining the rounded symmetry of her form, and leaving one exquisite foot bare, she is gazing on the prostrate hunter with an expression of unspeakable tenderness and self-abandonment, such as comes but once in a lifetime over woman's face. One drooping hand carelessly lets an arrow slip through its fingers, the other fondling a rosy Cupid on her knee, presses his cheek against her own, as though the love overflowing at her heart must needs find relief in the caresses of her child.
"It is my favourite picture of all I ever saw, except one," I remarked to my two companions as we stopped to examine its merits; I to point out its beauties, they maliciously to enumerate its defects.
"And that other?" asked Valèrie, with her quick, sharp glance.
"Is one you never saw," was my reply, as I thought of the "Dido" in the old dining-room at Beverley. "It is an Italian painting with many faults, and probably you would not admire it as much as I do."