'The Napoleon of Notting Hill.'
FEBRUARY 9th
The modern writers who have suggested, in a more or less open manner, that the family is a bad institution, have generally confined themselves to suggesting, with much sharpness, bitterness, or pathos, that perhaps the family is not always very congenial. Of course the family is a good institution because it is uncongenial. It is wholesome precisely because it contains so many divergencies and varieties. It is, as the sentimentalists say, like a little kingdom, and, like most other little kingdoms, is generally in a state of something resembling anarchy. It is exactly because our brother George is not interested in our religious difficulties, but is interested in the Trocadero restaurant, that the family has some of the bracing qualities of the commonwealth. It is precisely because our uncle Henry does not approve of the theatrical ambitions of our sister Sarah that the family is like humanity. The men and women who, for good reasons and bad, revolt against the family are, for good reasons and bad, simply revolting against mankind. Aunt Elizabeth is unreasonable, like mankind. Papa is excitable, like mankind. Our younger brother is mischievous, like mankind. Grandpapa is stupid, like the world; he is old, like the world.
'Heretics.'
FEBRUARY 10th
He said: 'If these were silent the very stones would cry out.' With these words He called up all the wealth of artistic creation that has been founded on this creed. With those words He founded Gothic architecture. For in a town like this, which seems to have grown Gothic as a wood grows leaves—anywhere and anyhow—any odd brick or moulding may be carved off into a shouting face. The front of vast buildings is thronged with open mouths, angels praising God, or devils defying Him. Rock itself is racked and twisted, until it seems to scream. The miracle is accomplished; the very stones cry out.
'Tremendous Trifles.'