Now, a large number of delicate and superior persons would refuse to see the force in that kitchen garden comparison, because it is not connected with any of the ordinary maritime sentiments as stated in books and songs. The aesthetic amateur would say that he knew what large and philosophical thoughts he ought to have by the boundless deep. He would say that he was not a greengrocer who would think first of greens. To which I should reply, like Hamlet, apropos of a parallel profession, “I would you were so honest a man.” The mention of “Hamlet” reminds me, by the way, that besides the girl who had never seen the sea, I knew a girl who had never seen a stage-play. She was taken to “Hamlet,” and she said it was very sad. There is another case of going to the primordial point which is overlaid by learning and secondary impressions. We are so used to thinking of “Hamlet” as a problem that we sometimes quite forget that it is a tragedy, just as we are so used to thinking of the sea as vast and vague, that we scarcely notice when it is white and green.
But there is another quarrel involved in which the young gentleman of culture comes into violent collision with the young lady of the cauliflowers. The first essential of the merely bookish view of the sea is that it is boundless, and gives a sentiment of infinity. Now it is quite certain, I think, that the cauliflower simile was partly created by exactly the opposite impression, the impression of boundary and of barrier. The girl thought of it as a field of vegetables, even as a yard of vegetables. The girl was right. The ocean only suggests infinity when you cannot see it; a sea mist may seem endless, but not a sea. So far from being vague and vanishing, the sea is the one hard straight line in Nature. It is the one plain limit; the only thing that God has made that really looks like a wall. Compared to the sea, not only sun and cloud are chaotic and doubtful, but solid mountains and standing forests may be said to melt and fade and flee in the presence of that lonely iron line. The old naval phrase, that the seas are England's bulwarks, is not a frigid and artificial metaphor; it came into the head of some genuine sea-dog, when he was genuinely looking at the sea. For the edge of the sea is like the edge of a sword; it is sharp, military, and decisive; it really looks like a bolt or bar, and not like a mere expansion. It hangs in heaven, grey, or green, or blue, changing in colour, but changeless in form, behind all the slippery contours of the land and all the savage softness of the forests, like the scales of God held even. It hangs, a perpetual reminder of that divine reason and justice which abides behind all compromises and all legitimate variety; the one straight line; the limit of the intellect; the dark and ultimate dogma of the world.
The Sentimentalist
“Sentimentalism is the most broken reed on which righteousness can lean”; these were, I think, the exact words of a distinguished American visitor at the Guildhall, and may Heaven forgive me if I do him a wrong. It was spoken in illustration of the folly of supporting Egyptian and other Oriental nationalism, and it has tempted me to some reflections on the first word of the sentence.
The Sentimentalist, roughly speaking, is the man who wants to eat his cake and have it. He has no sense of honour about ideas; he will not see that one must pay for an idea as for anything else. He will not see that any worthy idea, like any honest woman, can only be won on its own terms, and with its logical chain of loyalty. One idea attracts him; another idea really inspires him; a third idea flatters him; a fourth idea pays him. He will have them all at once in one wild intellectual harem, no matter how much they quarrel and contradict each other. The Sentimentalist is a philosophic profligate, who tries to capture every mental beauty without reference to its rival beauties; who will not even be off with the old love before he is on with the new. Thus if a man were to say, “I love this woman, but I may some day find my affinity in some other woman,” he would be a Sentimentalist. He would be saying, “I will eat my wedding-cake and keep it.” Or if a man should say, “I am a Republican, believing in the equality of citizens; but when the Government has given me my peerage I can do infinite good as a kind landlord and a wise legislator”; then that man would be a Sentimentalist. He would be trying to keep at the same time the classic austerity of equality and also the vulgar excitement of an aristocrat. Or if a man should say, “I am in favour of religious equality; but I must preserve the Protestant Succession,” he would be a Sentimentalist of a grosser and more improbable kind.
This is the essence of the Sentimentalist: that he seeks to enjoy every idea without its sequence, and every pleasure without its consequence.
Now it would really be hard to find a worse case of this inconsequent sentimentalism than the theory of the British Empire advanced by Mr. Roosevelt himself in his attack on Sentimentalists. For the Imperial theory, the Roosevelt and Kipling theory, of our relation to Eastern races is simply one of eating the Oriental cake (I suppose a Sultana Cake) and at the same time leaving it alone.
Now there are two sane attitudes of a European statesman towards Eastern peoples, and there are only two.
First, he may simply say that the less we have to do with them the better; that whether they are lower than us or higher they are so catastrophically different that the more we go our way and they go theirs the better for all parties concerned. I will confess to some tenderness for this view. There is much to be said for letting that calm immemorial life of slave and sultan, temple and palm tree flow on as it has always flowed. The best reason of all, the reason that affects me most finally, is that if we left the rest of the world alone we might have some time for attending to our own affairs, which are urgent to the point of excruciation. All history points to this; that intensive cultivation in the long run triumphs over the widest extensive cultivation; or, in other words, that making one's own field superior is far more effective than reducing other people's fields to inferiority. If you cultivate your own garden and grow a specially large cabbage, people will probably come to see it. Whereas the life of one selling small cabbages round the whole district is often forlorn.