The first movements for intervention in the deepest domestic concerns of the poor all had this note of negative interference. Official papers were sent round to the mothers in poor streets; papers in which a total stranger asked these respectable women questions which a man would be killed for asking, in the class of what were called gentlemen or in the countries of what were called free men. They were questions supposed to refer to the conditions of maternity; but the point is here that the reformers did not begin by building up those economic or material conditions. They did not attempt to pay money or establish property to create those conditions. They never give anything—except orders. Another form of the intervention, and one already mentioned, is the kidnapping of children upon the most fantastic excuses of sham psychology. Some people established an apparatus of tests and trick questions; which might make an amusing game of riddles for the family fireside, but seems an insufficient reason for mutilating and dismembering the family. Others became interested in the hopeless moral condition of children born in the economic condition which they did not attempt to improve. They were great on the fact that crime was a disease; and carried on their criminological studies so successfully as to open the reformatory for little boys who played truant; there was no reformatory for reformers. I need not pause to explain that crime is not a disease. It is criminology that is a disease.
Finally one thing may be added which is at least clear. Whether or no the organisation of industry will issue positively in a eugenical reconstruction of the family, it has already issued negatively, as in the negations already noted, in a partial destruction of it. It took the form of a propaganda of popular divorce, calculated at least to accustom the masses to a new notion of the shifting and re-grouping of families. I do not discuss the question of divorce here, as I have done elsewhere, in its intrinsic character; I merely note it as one of these negative reforms which have been substituted for positive economic equality. It was preached with a weird hilarity, as if the suicide of love were something not only humane but happy. But it need not be explained, and certainly it need not be denied, that the harassed poor of a diseased industrialism were indeed maintaining marriage under every disadvantage, and often found individual relief in divorce. Industrialism does produce many unhappy marriages, for the same reason that it produces so many unhappy men. But all the reforms were directed to rescuing the industrialism rather than the happiness. Poor couples were to be divorced because they were already divided. Through all this modern muddle there runs the curious principle of sacrificing the ancient uses of things because they do not fit in with the modern abuses. When the tares are found in the wheat, the greatest promptitude and practicality is always shown in burning the wheat and gathering the tares into the barn. And since the serpent coiled about the chalice had dropped his poison in the wine of Cana, analysts were instantly active in the effort to preserve the poison and to pour away the wine.
CHAPTER VIII[ToC]
THE END OF THE HOUSEHOLD GODS
The only place where it is possible to find an echo of the mind of the English masses is either in conversation or in comic songs. The latter are obviously the more dubious; but they are the only things recorded and quotable that come anywhere near it. We talk about the popular Press; but in truth there is no popular Press. It may be a good thing; but, anyhow, most readers would be mildly surprised if a newspaper leading article were written in the language of a navvy. Sometimes the Press is interested in things in which the democracy is also genuinely interested; such as horse-racing. Sometimes the Press is about as popular as the Press Gang. We talk of Labour leaders in Parliament; but they would be highly unparliamentary if they talked like labourers. The Bolshevists, I believe, profess to promote something that they call "proletarian art," which only shows that the word Bolshevism can sometimes be abbreviated into bosh. That sort of Bolshevist is not a proletarian, but rather the very thing he accuses everybody else of being. The Bolshevist is above all a bourgeois; a Jewish intellectual of the town. And the real case against industrial intellectualism could hardly be put better than in this very comparison. There has never been such a thing as proletarian art; but there has emphatically been such a thing as peasant art. And the only literature which even reminds us of the real tone and talk of the English working classes is to be found in the comic song of the English music-hall.
I first heard one of them on my voyage to America, in the midst of the sea within sight of the New World, with the Statue of Liberty beginning to loom up on the horizon. From the lips of a young Scotch engineer, of all people in the world, I heard for the first time these immortal words from a London music-hall song:—
"Father's got the sack from the water-works
For smoking of his old cherry-briar;
Father's got the sack from the water-works
'Cos he might set the water-works on fire."