The great saint was sane; and with the very sound of the word sanity, as at a deeper chord struck upon a harp, we come back to something that was indeed deeper than everything about him that seemed an almost elvish eccentricity. He was not a mere eccentric because he was always turning towards the centre and heart of the maze; he took the queerest and most zigzag short cuts through the wood, but he was always going home. He was not only far too humble to be an heresiarch, but he was far too human to desire to be an extremist, in the sense of an exile at the ends of the earth. The sense of humour which salts all the stories of his escapades alone prevented him from ever hardening into the solemnity of sectarian self-righteousness. He was by nature ready to admit that he was wrong; and if his followers had on some practical points to admit that he was wrong, they only admitted that he was wrong in order to prove that he was right. For it is they, his real followers, who have really proved that he was right and even in transcending some of his negations have triumphantly extended and interpreted his truth. The Franciscan order did not fossilise or break off short like something of which the true purpose has been frustrated by official tyranny or internal treason. It was this, the central and orthodox trunk of it, that afterwards bore fruit for the world. It counted among its sons Bonaventura the great mystic and Bernardino the popular preacher, who filled Italy with the very beatific buffooneries of a Jongleur de Dieu. It counted Raymond Lully with his strange learning and his large and daring plans for the conversion of the world; a man intensely individual exactly as St. Francis was intensely individual. It counted Roger Bacon, the first naturalist whose experiments with light and water had all the luminous quaintness that belongs to the beginnings of natural history; and whom even the most material scientists have hailed as a father of science. It is not merely true that these were great men who did great work for the world; it is also true that they were a certain kind of men keeping the spirit and savour of a certain kind of man, that we can recognise in them a taste and tang of audacity and simplicity, and know them for the sons of St. Francis.

For that is the full and final spirit in which we should turn to St. Francis; in the spirit of thanks for what he has done. He was above all things a great giver; and he cared chiefly for the best kind of giving which is called thanksgiving. If another great man wrote a grammar of assent, he may well be said to have written a grammar of acceptance; a grammar of gratitude. He understood down to its very depths the theory of thanks; and its depths are a bottomless abyss. He knew that the praise of God stands on its strongest ground when it stands on nothing. He knew that we can best measure the towering miracle of the mere fact of existence if we realise that but for some strange mercy we should not even exist. And something of that larger truth is repeated in a lesser form in our own relations with so mighty a maker of history. He also is a giver of things we could not have even thought of for ourselves; he also is too great for anything but gratitude. From him came a whole awakening of the world and a dawn in which all shapes and colours could be seen anew. The mighty men of genius who made the Christian civilisation that we know appear in history almost as his servants and imitators. Before Dante was, he had given poetry to Italy; before St. Louis ruled, he had risen as the tribune of the poor; and before Giotto had painted the pictures, he had enacted the scenes. That great painter who began the whole human inspiration of European painting had himself gone to St. Francis to be inspired. It is said that when St. Francis staged in his own simple fashion a Nativity Play of Bethlehem, with kings and angels in the stiff and gay medieval garments and the golden wigs that stood for haloes, a miracle was wrought full of the Franciscan glory. The Holy Child was a wooden doll or bambino, and it was said that he embraced it and that the image came to life in his arms. He assuredly was not thinking of lesser things; but we may at least say that one thing came to life in his arms; and that was the thing that we call the drama. Save for his intense individual love of song, he did not perhaps himself embody this spirit in any of these arts. He was the spirit that was embodied. He was the spiritual essence and substance that walked the world, before anyone had seen these things in visible forms derived from it: a wandering fire as if from nowhere, at which men more material could light both torches and tapers. He was the soul of medieval civilisation before it even found a body. Another and quite different stream of spiritual inspiration derives largely from him; all that reforming energy of medieval and modern times that goes to the burden of Deus est Deus Pauperum. His abstract ardour for human beings was in a multitude of just medieval laws against the pride and cruelty of riches; it is to-day behind much that is loosely called Christian Socialist and can more correctly be called Catholic Democrat. Neither on the artistic nor the social side would anybody pretend that these things would not have existed without him; yet it is strictly true to say that we cannot now imagine them without him; since he has lived and changed the world.

And something of that sense of impotence which was more than half his power will descend on anyone who knows what that inspiration has been in history, and can only record it in a series of straggling and meagre sentences. He will know something of what St. Francis meant by the great and good debt that cannot be paid. He will feel at once the desire to have done infinitely more and the futility of having done anything. He will know what it is to stand under such a deluge of a dead man's marvels, and have nothing in return to establish against it; to have nothing to set up under the overhanging, overwhelming arches of such a temple of time and eternity, but this brief candle burnt out so quickly before his shrine.

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