What the denouncer of dogma really means is not that dogma is bad; but rather that dogma is too good to be true. That is, he means that dogma is too liberal to be likely. Dogma gives man too much freedom when it permits him to fall. Dogma gives even God too much freedom when it permits him to die. That is what the intelligent sceptics ought to say; and it is not in the least my intention to deny that there is something to be said for it. They mean that the universe is itself a universal prison; that existence itself is a limitation and a control; and it is not for nothing that they call causation a chain. In a word, they mean quite simply that they cannot believe these things; not in the least that they are unworthy of belief. We say, not lightly but very literally, that the truth has made us free. They say that it makes us so free that it cannot be the truth. To them it is like believing in fairyland to believe in such freedom as we enjoy. It is like believing in men with wings to entertain the fancy of men with wills. It is like accepting a fable about a squirrel in conversation with a mountain to believe in a man who is free to ask or a God who is free to answer. This is a manly and a rational negation, for which I for one shall always show respect. But I decline to show any respect for those who first of all clip the bird and cage the squirrel, rivet the chains and refuse the freedom, close all the doors of the cosmic prison on us with a clang of eternal iron, tell us that our emancipation is a dream and our dungeon a necessity; and then calmly turn round and tell us they have a freer thought and a more liberal theology.
The moral of all this is an old one; that religion is revelation. In other words, it is a vision, and a vision received by faith; but it is a vision of reality. The faith consists in a conviction of its reality. That, for example, is the difference between a vision and a day-dream. And that is the difference between religion and mythology. That is the difference between faith and all that fancy-work, quite human and more or less healthy, which we considered under the head of mythology. There is something in the reasonable use of the very word vision that implies two things about it; first that it comes very rarely, possibly that it comes only once; and secondly that it probably comes once and for all. A day-dream may come every day. A day-dream may be different every day. It is something more than the difference between telling ghost-stories and meeting a ghost.
But if it is not a mythology neither is it a philosophy. It is not a philosophy because, being a vision, it is not a pattern but a picture. It is not one of those simplifications which resolve everything into an abstract explanation; as that everything is recurrent; or everything is relative; or everything is inevitable; or everything is illusive. It is not a process but a story. It has proportions, of the sort seen in a picture or a story; it has not the regular repetitions of a pattern or a process; but it replaces them by being convincing as a picture or a story is convincing. In other words, it is exactly, as the phrase goes, like life. For indeed it is life. An example of what is meant here might well be found in the treatment of the problem of evil. It is easy enough to make a plan of life of which the background is black, as the pessimists do; and then admit a speck or two of star-dust more or less accidental, or at least in the literal sense insignificant. And it is easy enough to make another plan on white paper, as the Christian Scientists do, and explain or explain away somehow such dots or smudges as may be difficult to deny. Lastly it is easiest of all, perhaps, to say as the dualists do, that life is like a chess-board in which the two are equal; and can as truly be said to consist of white squares on a black board or of black squares on a white board. But every man feels in his heart that none of these three paper plans is like life; that none of these worlds is one in which he can live. Something tells him that the ultimate idea of a world is not bad or even neutral; staring at the sky or the grass or the truths of mathematics or even a new-laid egg, he has a vague feeling like the shadow of that saying of the great Christian philosopher, St. Thomas Aquinas, ‘Every existence, as such, is good.’ On the other hand, something else tells him that it is unmanly and debased and even diseased to minimise evil to a dot or even a blot. He realises that optimism is morbid. It is if possible even more morbid than pessimism. These vague but healthy feelings, if he followed them out, would result in the idea that evil is in some way an exception but an enormous exception; and ultimately that evil is an invasion or yet more truly a rebellion. He does not think that everything is right or that everything is wrong, or that everything is equally right and wrong. But he does think that right has a right to be right and therefore a right to be there; and wrong has no right to be wrong and therefore no right to be there. It is the prince of the world; but it is also a usurper. So he will apprehend vaguely what the vision will give to him vividly; no less than all that strange story of treason in heaven and the great desertion by which evil damaged and tried to destroy a cosmos that it could not create. It is a very strange story and its proportions and its lines and colours are as arbitrary and absolute as the artistic composition of a picture. It is a vision which we do in fact symbolise in pictures by titanic limbs and passionate tints of plumage; all that abysmal vision of falling stars and the peacock panoplies of the night. But that strange story has one small advantage over the diagrams. It is like life.
Another example might be found, not in the problem of evil, but in what is called the problem of progress. One of the ablest agnostics of the age once asked me whether I thought mankind grew better or grew worse or remained the same. He was confident that the alternative covered all possibilities. He did not see that it only covered patterns and not pictures; processes and not stories. I asked him whether he thought that Mr. Smith of Golder’s Green got better or worse or remained exactly the same between the age of thirty and forty. It then seemed to dawn on him that it would rather depend on Mr. Smith; and how he chose to go on. It had never occurred to him that it might depend on how mankind chose to go on; and that its course was not a straight line or an upward or downward curve, but a track like that of a man across a valley, going where he liked and stopping where he chose, going into a church or falling drunk in a ditch. The life of man is a story; an adventure story; and in our vision the same is true even of the story of God.
The Catholic faith is the reconciliation because it is the realisation both of mythology and philosophy. It is a story and in that sense one of a hundred stories; only it is a true story. It is a philosophy and in that sense one of a hundred philosophies; only it is a philosophy that is like life. But above all, it is a reconciliation because it is something that can only be called the philosophy of stories. That normal narrative instinct which produced all the fairy-tales is something that is neglected by all the philosophies—except one. The Faith is the justification of that popular instinct; the finding of a philosophy for it or the analysis of the philosophy in it. Exactly as a man in an adventure story has to pass various tests to save his life, so the man in this philosophy has to pass several tests and save his soul. In both there is an idea of free will operating under conditions of design; in other words, there is an aim and it is the business of a man to aim at it; we therefore watch to see whether he will hit it. Now this deep and democratic and dramatic instinct is derided and dismissed in all the other philosophies. For all the other philosophies avowedly end where they begin; and it is the definition of a story that it ends differently; that it begins in one place and ends in another. From Buddha and his wheel to Akhen-Aten and his disc, from Pythagoras with his abstraction of number to Confucius with his religion of routine, there is not one of them that does not in some way sin against the soul of a story. There is none of them that really grasps this human notion of the tale, the test, the adventure; the ordeal of the free man. Each of them starves the story-telling instinct, so to speak, and does something to spoil human life considered as a romance; either by fatalism (pessimist or optimist) and that destiny that is the death of adventure; or by indifference and that detachment that is the death of drama; or by a fundamental scepticism that dissolves the actors into atoms; or by a materialistic limitation blocking the vista of moral consequences; or a mechanical recurrence making even moral tests monotonous; or a bottomless relativity making even practical tests insecure. There is such a thing as a human story; and there is such a thing as the divine story which is also a human story. But there is no such thing as a Hegelian story or a Monist story or a relativist story or a determinist story. For every story, yes, even a penny dreadful or a cheap novelette, has something in it that belongs to our universe and not theirs. Every short story does truly begin with creation and end with a last judgment.
And that is the reason why the myths and the philosophers were at war until Christ came. That is why the Athenian democracy killed Socrates out of respect for the gods; and why every strolling sophist gave himself the airs of a Socrates whenever he could talk in a superior fashion of the gods; and why the heretic Pharaoh wrecked his huge idols and temples for an abstraction and why the priests could return in triumph and trample his dynasty under foot; and why Buddhism had to divide itself from Brahminism, and why in every age and country outside Christendom there has been a feud for ever between the philosopher and the priest. It is easy enough to say that the philosopher is generally the more rational; it is easier still to forget that the priest is always the more popular. For the priest told the people stories; and the philosopher did not understand the philosophy of stories. It came into the world with the story of Christ.
And this is why it had to be a revelation or vision given from above. Any one who will think of the theory of stories or pictures will easily see the point. The true story of the world must be told by somebody to somebody else. By the very nature of a story it cannot be left to occur to anybody. A story has proportions, variations, surprises, particular dispositions, which cannot be worked out by rule in the abstract, like a sum. We could not deduce whether or no Achilles would give back the body of Hector from a Pythagorean theory of number or recurrence; and we could not infer for ourselves in what way the world would get back the body of Christ, merely from being told that all things go round and round upon the wheel of Buddha. A man might perhaps work out a proposition of Euclid without having heard of Euclid; but he would not work out the precise legend of Eurydice without having heard of Eurydice. At any rate he would not be certain how the story would end and whether Orpheus was ultimately defeated. Still less could he guess the end of our story; or the legend of our Orpheus rising, not defeated, from the dead.
To sum up; the sanity of the world was restored and the soul of man offered salvation by something which did indeed satisfy the two warring tendencies of the past; which had never been satisfied in full and most certainly never satisfied together. It met the mythological search for romance by being a story and the philosophical search for truth by being a true story. That is why the ideal figure had to be a historical character, as nobody had ever felt Adonis or Pan to be a historical character. But that is also why the historical character had to be the ideal figure; and even fulfil many of the functions given to these other ideal figures; why he was at once the sacrifice and the feast, why he could be shown under the emblems of the growing vine or the rising sun. The more deeply we think of the matter the more we shall conclude that, if there be indeed a God, his creation could hardly have reached any other culmination than this granting of a real romance to the world. Otherwise the two sides of the human mind could never have touched at all; and the brain of man would have remained cloven and double; one lobe of it dreaming impossible dreams and the other repeating invariable calculations. The picture-makers would have remained for ever painting the portrait of nobody. The sages would have remained for ever adding up numerals that came to nothing. It was that abyss that nothing but an incarnation could cover; a divine embodiment of our dreams; and he stands above that chasm whose name is more than priest and older even than Christendom; Pontifex Maximus, the mightiest maker of a bridge.
But even with that we return to the more specially Christian symbol in the same tradition; the perfect pattern of the keys. This is a historical and not a theological outline, and it is not my duty here to defend in detail that theology, but merely to point out that it could not even be justified in design without being justified in detail—like a key. Beyond the broad suggestion of this chapter I attempt no apologetic about why the creed should be accepted. But in answer to the historical query of why it was accepted, and is accepted, I answer for millions of others in my reply; because it fits the lock; because it is like life. It is one among many stories; only it happens to be a true story. It is one among many philosophies; only it happens to be the truth. We accept it; and the ground is solid under our feet and the road is open before us. It does not imprison us in a dream of destiny or a consciousness of the universal delusion. It opens to us not only incredible heavens, but what seems to some an equally incredible earth, and makes it credible. This is the sort of truth that is hard to explain because it is a fact; but it is a fact to which we can call witnesses. We are Christians and Catholics not because we worship a key, but because we have passed a door; and felt the wind that is the trumpet of liberty blow over the land of the living.