The Flying Inn

by G. K. Chesterton

He had flung himself on a pile of pine-needles to enjoy the gathering darkness of the pinewoods as the moon sank behind them. There is nothing more deep and wonderful than really impenetrable pinewoods where the nearer trees show against the more shadowy; a tracery of silver upon grey and of grey upon black.

It was, by this time, in pure pleasure and idleness that he picked up a pine-needle to philosophise about it.

“Think of sitting on needles!” he said. “Yet, I suppose this is the sort of needle that Eve, in the old legend, used in Eden. Aye, and the old legend was right, too! Think of sitting on all the needles in London! Think of sitting on all the needles in Sheffield! Think of sitting on any needles, except on all the needles of Paradise! Oh, yes, the old legend was right enough. The very needles of God are softer than the carpets of men.”

He took a pleasure in watching the weird little forest animals creeping out from under the green curtains of the wood. He reminded himself that in the old legend they had been as tame as the ass, as well as being as comic. He thought of Adam naming the animals, and said to a beetle, “I should call you Budger.”

The slugs gave him great entertainment, and so did the worms. He felt a new and realistic interest in them which he had not known before; it was, indeed, the interest that a man feels in a mouse in a dungeon; the interest of any man tied by the leg and forced to see the fascination of small things. Creatures of the wormy kind, especially, crept out at very long intervals; yet he found himself waiting patiently for hours for the pleasure of their acquaintance. One of them rather specially arrested his eye, because it was a little longer than most worms and seemed to be turning its head in the direction of the donkey’s left foreleg. Also, it had a head to turn, which most worms have not.

Dorian Wimpole did not know much about exact Natural History, except what he had once got up very thoroughly from an encyclopedia for the purposes of a sympathetic vilanelle. But as this information was entirely concerned with the conjectural causes of laughter in the Hyena, it was not directly helpful in this case. But though he did not know much Natural History, he knew some. He knew enough to know that a worm ought not to have a head, and especially not a squared and flattened head, shaped like a spade or a chisel. He knew enough to know that a creeping thing with a head of that pattern survives in the English country sides, though it is not common. In short, he knew enough to step across the road and set a sharp and savage boot-heel on the neck and spine of the creature, breaking it into three black bits that writhed once more before they stiffened.

Then he gave out a great explosive sigh. The donkey, whose leg had been in such danger, looked at the dead adder with eyes that had never lost their moony mildness. Even Dorian, himself, looked at it for a long time, and with feelings he could neither arrest nor understand, before he remembered that he had been comparing the little wood to Eden.

“And even in Eden,” he said at last; and then the words of Fitzgerald failed upon his lips.

And while he was warring with such words and thoughts, something happened about him and behind him; something he had written about a hundred times and read about a thousand; something he had never seen in his life. It flung faintly across the broad foliage a wan and pearly light far more mysterious than the lost moonshine. It seemed to enter through all the doors and windows of the woodland, pale and silent but confident, like men that keep a tryst; soon its white robes had threads of gold and scarlet: and the name of it was morning.

For some time past, loud and in vain, all the birds had been singing to the Poet of the Birds. But when that minstrel actually saw broad daylight breaking over wood and road, the effect on him was somewhat curious. He stood staring at it in gaping astonishment, until it had fulfilled the fulness of its shining fate; and the pine-cones and the curling ferns and the live donkey and the dead viper were almost as distinct as they could be at noon, or in a Preraphaelite picture. And then the Fourth Mood fell upon him like a bolt from the blue, and he strode across and took the donkey’s bridle, as if to lead it along.