"Why had your friend Michael kept the old beard?" Devine said thoughtfully. "That seems to me questionable."

"To me, who knew him, it seems quite inevitable," replied Father Brown. "His whole attitude was like that wig that he wore. There was no disguise about his disguises. He didn't want the old disguise any more, but he wasn't frightened of it; he would have felt it false to destroy the false beard. It would have been like hiding; and he was not hiding. He was not hiding from God; he was not hiding from himself. He was in the broad daylight. If they'd taken him back to prison, he'd still have been quite happy. He was not whitewashed, but washed white. There was something very strange about him; almost as strange as the grotesque dance of death through which he was dragged after he was dead. When he moved to and fro smiling among these beehives, even then, in a most radiant and shining sense, he was dead. He was out of the judgement of this world."

There was a short pause, and then Devine shrugged his shoulders and said: "It all comes back to bees and wasps looking very much alike in this world, doesn't it?"

III
THE SONG OF THE FLYING FISH

THE soul of Mr. Peregrine Smart hovered like a fly round one possession and one joke. It might be considered a mild joke, for it consisted merely of asking people if they had seen his goldfish. It might also be considered an expensive joke; but it is doubtful whether he was not secretly more attached to the joke than to the evidence of expenditure. In talking to his neighbours in the little group of new houses that had grown up round the old village green, he lost no time in turning the conversation in the direction of his hobby. To Dr. Burdock, a rising biologist with a resolute chin and hair brushed back like a German's, Mr. Smart made the easy transition. "You are interested in natural history; have you seen my goldfish?" To so orthodox an evolutionist as Dr. Burdock doubtless all nature was one; but at first sight the link was not close, as he was a specialist who had concentrated entirely upon the primitive ancestry of the giraffe. To Father Brown, from a church in the neighbouring provincial town, he traced a rapid train of thought which touched on the topics of "Rome—St. Peter—fisherman—fish—goldfish." In talking to Mr. Imlack Smith, the bank manager, a slim and sallow gentleman of dressy appearance but quiet demeanour, he violently wrenched the conversation to the subject of the gold standard, from which it was merely a step to goldfish. In talking to that brilliant Oriental traveller and scholar. Count Yvon de Lara (whose title was French and his face rather Russian, not to say Tartar), the versatile conversationalist showed an intense and intelligent interest in the Ganges and the Indian Ocean, leading naturally to the possible presence of goldfish in those waters. From Mr. Harry Hartopp, the very rich but very shy and silent young gentleman who had recently come down from London, he had at last extorted the information that the embarrassed youth in question was not interested in fishing, and had then added: "Talking about fishing, have you seen my goldfish?"

The peculiar thing about the goldfish was that they were made of gold. They were part of an eccentric but expensive toy, said to have been made by the freak of some rich Eastern prince, and Mr. Smart had picked it up at some sale or in some curiosity shop, such as he frequented for the purpose of lumbering up his house with unique and useless things. From the other end of the room it looked like a rather unusually large bowl containing rather unusually large living fish; a closer inspection showed it to be a huge bubble of beautifully blown Venetian glass, very thin and delicately clouded with faintly iridescent colour, in the tinted twilight of which hung grotesque golden fishes with great rubies for eyes. The whole thing was undoubtedly worth a great deal in solid material; how much more would depend upon the waves of lunacy passing over the world of collectors. Mr. Smart's new secretary, a young man named Francis Boyle, though an Irishman and not credited with caution, was mildly surprised at his talking so freely of the gems of his collection to the group of comparative strangers who happened to have alighted in a rather nomadic fashion in the neighbourhood; for collectors are commonly vigilant and sometimes secretive. In the course of settling down to his new duties, Mr. Boyle found he was not alone in this sentiment, and that in others, it passed from a mild wonder to a grave disapproval.

"It's a wonder his throat isn't cut," said Mr. Smart's valet, Harris, not without a hypothetical relish, almost as if he had said, in a purely artistic sense: "It's a pity."

"It's extraordinary how he leaves things about," said Mr. Smart's head clerk, Jameson, who had come up from the office to assist the new secretary, "and he won't even put up those ramshackle old bars across his ramshackle old door."

"It's all very well with Father Brown and the doctor," said Mr. Smart's housekeeper, with a certain vigorous vagueness that marked her opinions, "but when it comes to foreigners, I call it tempting providence. It isn't only the Count, either; that man at the bank looks to me much too yellow to be English."

"Well, that young Hartopp is English enough," said Boyle good-humouredly, "to the extent of not having a word to say for himself."