The Greek View of Life

by G. Lowes Dickinson

Plato, it is true, in other parts of his work, approaches more closely to the dualistic conception of an absolute opposition between good and bad principles in man. Yet even so, he never altogether abandons that aesthetic point of view which looks to the establishment of order among the conflicting principles rather than to the annihilation of one by the other in an internecine conflict. The point may be illustrated by the following passage, where the two horses represent respectively the elements of fleshly desire and spiritual passion, while the charioteer stands for the controlling reason; and where, it will be noticed, the ultimate harmony is achieved, not by the complete eradication of desire, but by its due subordination to the higher principle. Even Plato, the most ascetic of the Greeks, is a Greek first and an ascetic afterwards.

"Of the nature of the soul, though her true form be ever a theme of large and more than mortal discourse, let me speak briefly, and in a figure, and let the figure be composite—a pair of winged horses and a charioteer. Now the winged horses and the charioteers of the gods are all of them noble and of noble descent, but those of other races are mixed; the human charioteer drives his in a pair; and one of them is noble and of noble breed, and the other is ignoble and of ignoble breed; and the driving of them of necessity gives a great deal of trouble to him…. The right hand horse is upright and cleanly made; he has a lofty neck and an aquiline nose; his colour is white, and his eyes dark; he is a lover of honour and modesty and temperance, and the follower of true glory; he needs no touch of the whip, but is guided by word and admonition only. The other is a crooked lumbering animal, put together anyhow; he has a short thick neck; he is flat-faced and of a dark colour, with grey eyes and blood-red complexion; the mate of insolence and pride, shag-eared and deaf, hardly yielding to whip and spur. Now when the charioteer beholds the vision of love, and has his whole soul warmed through sense, and is full of, the prickings and ticklings of desire, the obedient steed, then as always under the government of shame, refrains from leaping on the beloved; but the other, heedless of the blows of the whip, plunges and runs away, giving all manner of trouble to his companion and the charioteer, whom he forces to approach the beloved and to remember the joys of love. They at first indignantly oppose him and will not be urged on to do terrible and unlawful deeds; but at last, when he persists in plaguing them, they yield and agree to do as he bids them. And now they are at the spot and behold the flashing beauty of the beloved; which when the charioteer sees, his memory is carried to the true beauty whom he beholds in company with Modesty like an image placed upon a holy pedestal He sees her, but he is afraid and falls backwards in adoration, and by his fall is compelled to pull back the reins with such violence as to bring both the steeds on their haunches, the one willing and unresisting, the unruly one very unwilling; and when they have gone back a little, the one is overcome with shame and wonder, and his whole soul is bathed in perspiration; the other, when the pain is over which the bridle and the fall had given him, having with difficulty taken breath, is full of wrath and reproaches, which he heaps upon the charioteer and his fellow-steed, for want of courage and manhood, declaring that they have been false to their agreement and guilty of desertion. Again they refuse, and again he urges them on, and will scarce yield to their prayer that he would wait until another time. When the appointed hour comes, they make as if they had forgotten, and he reminds them, fighting and neighing and dragging them on, until at length he on the same thoughts intent, forces them to draw near again. And when they are near he stoops his head and puts up his tail, and takes the bit in his teeth and pulls shamelessly. Then the charioteer is worse off than ever; he falls back like a racer at the barrier, and with a still more violent wrench drags the bit out of the teeth of the wild steed and covers his abusive jaws and tongue with blood, and forces his legs and haunches to the ground and punishes him sorely.

"And when this has happened several times and the villain has ceased from his wanton way, he is tamed and humbled and follows the will of the charioteer, and when he sees the beautiful one he is ready to die of fear. And from that time forward the soul of the lover follows the beloved in modesty and holy fear." [Footnote: Plato, Phaedrus. 246.— Translated by Jowett.]

Even from this passage, in spite of its dualistic hypothesis, but far more clearly from the whole tenor of his work, we may perceive that Plato's description of virtue as an "order" of the soul is prompted by the same conception, characteristically Greek, as Aristotle's account of virtue as a "mean." The view, as we said at the beginning, is properly aesthetic rather than moral. It regards life less as a battle between two contending principles, in which victory means the annihilation of the one, the altogether bad, by the other, the altogether good, than as the maintenance of a balance between elements neutral in themselves but capable, according as their relations are rightly ordered or the reverse, of producing either that harmony which is called virtue, or that discord which is called vice.

Such being the conception of virtue characteristic of the Greeks, it follows that the motive to pursue it can hardly have presented itself to them in the form of what we call the "sense of duty." For duty emphasises self-repression. Against the desires of man it sets a law of prohibition, a law which is not conceived as that of his own complete nature, asserting against a partial or disproportioned development the balance and totality of the ideal, but rather as a rule imposed from without by a power distinct from himself, for the mortification, not the perfecting, of his natural impulses and aims. Duty emphasises self- repression; the Greek view emphasised self-development. That "health and beauty and good habit of the soul," which is Plato's ideal, is as much its own recommendation tion to the natural man as is the health and beauty of the body. Vice, on this view, is condemned because it is a frustration of nature, virtue praised because it is her fulfilment; and the motive throughout is simply that passion to realise oneself which is commonly acknowledged as sufficient in the case of physical development, and which appeared sufficient to the Greeks in the case of the development of the soul.

Section 6. The Greek View of Pleasure.

From all this it follows clearly enough that the Greek ideal was far removed from asceticism; but it might perhaps be supposed, on the other hand, that it came dangerously near to license. Nothing, however, could be further from the case. That there were libertines among the Greeks, as everywhere else, goes without saying; but the conception that the Greek rule of life was to follow impulse and abandon restraint is a figment of would-be "Hellenists" of our own time. The word which best sums up the ideal of the Greeks is "temperance"; "the mean," "order," "harmony," as we saw, are its characteristic expressions; and the self- realisation to which they aspired was not an anarchy of passion, but an ordered evolution of the natural faculties under the strict control of a balanced mind. The point may be illustrated by a reference to the treatment of pleasure in the philosophy of Plato and of Aristotle.

The practice of the libertine is to identify pleasure and good in such a manner that he pursues at any moment any pleasure that presents itself, eschewing comparison and reflection, with all that might tend to check that continuous flow of vivid and fresh sensations which he postulates as the end of life. The ideal of the Greeks, on the contrary, as interpreted by their two greatest thinkers, while on the one hand it is so far opposed to asceticism that it requires pleasure as an essential complement of Good, on the other, is so far from identifying the two, that it recognises an ordered scale of pleasures, and while rejecting altogether those at the lower end, admits the rest, not as in themselves constituting the Good, but rather as harmless additions or at most as necessary accompaniments of its operation. Plato, in the Republic, distinguishes between the necessary and unnecessary pleasures, defining the former as those derived from the gratification of appetites "which we cannot get rid of and whose satisfaction does us good"—such, for example, as the appetite for wholesome food; and the latter as those which belong to appetites "which we can put away from us by early training; and the presence of which, besides, never does us any good, and in some cases does positive harm,"—such, for example, as the appetite for delicate and luxurious dishes. [Footnote: Plato, Rep. VIII. 558.—Translated by Davies and Vaughan.] The former he would admit, the latter he excludes from his ideal of happiness. And though in a later dialogue, the Philebus, he goes further than this, and would exclude from the perfect life all pleasures except those which he describes as "pure," that is those which attend upon the contemplation of form and colour and sound, or which accompany intellectual activity; yet here, no doubt, he is passing beyond the sphere of the practicable ideal, and his distinct personal bias towards asceticism must be discounted if we are to take him as representative of the Greek view. His general contention, however, that pleasures must be ranked as higher and as lower, and that at the best they are not to be identified with the Good, is fully accepted by so typical a Greek as Aristotle. Aristotle, however, is careful not to condemn any pleasure that is not definitely harmful. Even "unnecessary" pleasures, he admits, may be desirable in themselves; even the deliberate creation of desire with a view to the enjoyment of satisfying it may be admissible if it is not injurious. Still, there are kinds of pleasures which ought not to be pursued, and occasions and methods of seeking it which are improper and perverse. Therefore the Reason must be always at hand to check and to control; and the ultimate test of true worth in pleasure, as in everything else, is the trained judgment of the good and sensible man.

Section 7. Illustrations—Ischomachus; Socrates.

Such, then, was the character of the Greek conception of excellence. The account we have given may seem somewhat abstract and ideal; but it gives the general formula of the life which every cultivated Greek would at any rate have wished to live. And in confirmation of this point we may adduce the testimony of Xenophon, who has left us a description, evidently drawn from life, of what he conceives to be the perfect type of a "gentleman."