[8] Maspero, Guide to the Cairo Museum, 1906, pp. 156–7, No. 550.
[9] Revue de l’Art Ancien et Moderne, 1906, vol. x., pp. 241–52, 337–48; cf. Chap. X. of the present volume.
[10] Musée Egyptien, vol. ii., pp. 90–2.
[11] From the Revue de l’Art ancien et moderne, 1912, vol. xxxi., pp. 241–54.
[12] It is mentioned for the first time in Emmanuel de Rougé’s Catalogue, 1855, under No. 6; it is placed on the mantelpiece in the “Salle civile.”
[13] See good examples in Mariette, “Karnak,” Pl. VIII.
[14] This is no longer true since the discovery of the favissa at Karnak. The Cairo Museum possesses some hundreds of statues of private individuals from the Theban temple of Amon (1912).
[15] Mariette, “Sur les tombes de l’Ancien Empire qu’on trouve à Saqqarah,” 1912, pp. 8–9.
[16] On this theory see Lepage-Renouf, “On the True Sense of an important Egyptian Word,” in the Transactions of the Society of Biblical Archæology, vol. iv., pp. 494–508, and Maspero, “Mémoires du Congrès des Orientalistes de Lyon,” vol. i., and Bulletin de l’Association scientifique de France (1878), No. 594, pp. 373–84.
[17] One of the Egyptian festivals of the dead.