Drawn by Boudier,
from a photograph
by Golûnischeff.
As soon, however, as another of these approached, he was again beset at his new post and stuffed in a similar manner. These animals were in their own way great dandies: rings of gold or enamelled terra-cotta were hung from their ears, and bracelets were soldered on to their front paws. The monuments of Shodît, if any still exist, are buried under the mounds of Medinet el-Fayûm, but in the neighbourhood we meet with more than one authentic relic of the XIIth dynasty. It was Usirtasen I. who erected that curious thin granite obelisk, with a circular top, whose fragments lie forgotten on the ground near the village of Begig: a sort of basin has been hollowed out around it, which fills during the inundation, so that the monument lies in a pool of muddy water during the greater part of the year. Owing to this treatment, most of the inscriptions on it have almost disappeared, though we can still make out a series of five scenes in which the king hands offerings to several divinities. Near to Biahmû there was an old temple which had become ruinous: Amenemhâît III. repaired it, and erected in front of it two of those colossal statues which the Egyptians were wont to place like sentinels at their gates, to ward off baleful influences and evil spirits.
The colossi at Biahmû were of red sandstone, and were seated on high limestone pedestals, placed at the end of a rectangular court; the temple walls hid the lower part of the pedestals, so that the colossi appeared to tower above a great platform which sloped gently away from them on all sides. Herodotus, who saw them from a distance at the time of the inundation, believed that they crowned the summits of two pyramids rising out of the middle of a lake. Near Illahun, Queen Sovkûnofriûri herself has left a few traces of her short reign.
The Fayum, by its fertility and pleasant climate, justified the preference which the Pharaohs of the XIIth dynasty bestowed upon it. On emerging from the gorges of Illahun, it opens out like a vast amphitheatre of cultivation, whose slopes descend towards the north till they reach the desolate waters of the Birket-Kerun.
Drawn by Faucher-Gudin, after Major Brown.
On the right and left, the amphitheatre is isolated from the surrounding mountains by two deep ravines, filled with willows, tamarisks, mimosas, and thorny acacias. Upon the high ground, lands devoted to the culture of corn, durra, and flax, alternate with groves of palms and pomegranates, vineyards and gardens of olives, the latter being almost unknown elsewhere in Egypt.