** The palette is of wood, and bears the name of
a contemporary personage; the outlines of the hieroglyphs
are inlaid with silver wire. It was probably found in the
necropolis of Meîr, a little to the north of Siût. The
sepulchral pyramid of the Pharaoh Mirikarî is mentioned on a
coffin in the Berlin Museum.
The few glimpses to be obtained of the early history of the first Theban dynasty give the impression of an energetic and intelligent race. Confined to the most thinly populated, that is, the least fertile part of the valley, and engaged on the north in a ceaseless warfare which exhausted their resources, they still found time for building both at Thebes and in the most distant parts of their dominions. If their power made but little progress southwards, at least it did not recede, and that part of Nubia lying between Aswan and the neighbourhood of Korosko remained in their possession. The tribes of the desert, the Amamiû, the Mâzaiû, and the Uaûaiû often disturbed the husbandmen by their sudden raids; yet, having pillaged a district, they did not take possession of it as conquerors, but hastily returned to their mountains. The Theban princes kept them in check by repeated counter-raids, and renewed the old treaties with them. The inhabitants of the Great Oasis in the west, and the migratory peoples of the Land of the Gods, recognized the Theban suzerainty on the traditional terms.
Drawn by Faucher-Gudin, from a sketch by Prisse d’Avennes.
This pyramid is now completely destroyed.
As in the times of Uni, the barbarians made up the complement of the army with soldiers who were more inured to hardships and more accustomed to the use of arms than the ordinary fellahîn; and several obscure Pharaohs—such as Monthotpû I. and Antûf III.—owed their boasted victories over Libyans and Asiatics* to the energy of their mercenaries.
* The cartouches of Antûfâa, inscribed on the rocks of
Elephantine, are the record of a visit which this prince
paid to Syenê, probably on his return from some raid; many
similar inscriptions of Pharaohs of the XIIth dynasty were
inscribed in analogous circumstances. Nûbkhopirrî Antûf
boasted of having worsted the Amû and the negroes. On one of
the rocks of the island of Konosso, Monthotpû Nibhotpûrî
sculptured a scene of offerings in which the gods are
represented as granting him victory over all peoples. Among
the ruins of the temple which he built at Gebelên, is a
scene in which he is presenting files of prisoners from
different countries to the Theban gods.
But the kings of the XIth dynasty were careful not to wander too far from the valley of the Nile. Egypt presented a sufficiently wide field for their activity, and they exerted themselves to the utmost to remedy the evils from which the country had suffered for hundreds of years. They repaired the forts, restored or enlarged the temples, and evidences of their building are found at Koptos, Gebelên, El-Kab, and Abydos. Thebes itself has been too often overthrown since that time for any traces of the work of the XIth dynasty kings in the temple of Amon to be distinguishable; but her necropolis is still full of their “eternal homes,” stretching in lines across the plain, opposite Karnak, at Drah abû’l-Neggah, and on the northern slopes of the valley of Deir-el-Baharî. Some were excavated in the mountain-side, and presented a square façade of dressed stone, surmounted by a pointed roof in the shape of a pyramid. Others were true pyramids, sometimes having a pair of obelisks in front of them, as well as a temple. None of them attained to the dimensions of the Memphite tombs; for, with only its own resources at command, the kingdom of the south could not build monuments to compete with those whose construction had taxed the united efforts of all Egypt, but it used a crude black brick, made without grit or straw, where the Egyptians of the north had preferred more costly stone. These inexpensive pyramids were built on a rectangular base not more than six and a half feet high; and the whole erection, which was simply faced with whitewashed stucco, never exceeded thirty-three feet in height. The sepulchral chamber was generally in the centre; in shape it resembled an oven, its roof being “vaulted” by the overlapping of the courses. Often also it was constructed partly in the base, and partly in the foundations below the base, the empty space above it being intended merely to lighten the weight of the masonry. There was not always an external chapel attached to these tombs, but a stele placed on the substructure, or fixed in one of the outer faces, marked the spot to which offerings were to be brought for the dead; sometimes, however, there was the addition of a square vestibule in front of the tomb, and here, on prescribed days, the memorial ceremonies took place. The statues of the double were rude and clumsy, the coffins heavy and massive, and the figures with which they were decorated inelegant and out of proportion, while the stelæ are very rudely cut. From the time of the VIth dynasty the lords of the Saïd had been reduced to employing workmen from Memphis to adorn their monuments; but the rivalry between the Thebans and the Heracleopolitans, which set the two divisions of Egypt against each other in constant hostility, obliged the Antufs to entrust the execution of their orders to the local schools of sculptors and painters. It is difficult to realize the degree of rudeness to which the unskilled workmen who made certain of the Akhmîtn and Gebelên sarcophagi must have sunk; and even at Thebes itself, or at Abydos, the execution of both bas-reliefs and hieroglyphs shows minute carefulness rather than any real skill or artistic feeling. Failing to attain to the beautiful, the Egyptians endeavoured to produce the sumptuous. Expeditions to the Wady Ham marnât to fetch blocks of granite for sarcophagi become more and more frequent, and wells were sunk from point to point along the road leading from Koptos to the mountains. Sometimes these expeditions were made the occasion for pushing on as far as the port of Saû and embarking on the Eed Sea. A hastily constructed boat cruised along by the shore, and gum, incense, gold, and the precious stones of the country were brought from the land of the Troglodytes. On the return of the convoy with its block of stone, and various packages of merchandise, there was no lack of scribes to recount the dangers of the campaign in exaggerated language, or to congratulate the reigning Pharaoh on having sown abroad the fame and terror of his name in the countries of the gods, and as far as the land of Pûanît.
The final overthrow of the Heracleopolitan dynasty, and the union of the two kingdoms under the rule of the Theban house, are supposed to have been the work of that Monthotpû whose throne-name was Nibkhrôûrî; his, at any rate, was the name which the Egyptians of Kamesside times inscribed in the royal lists as that of the founder and most illustrious representative of the XIth dynasty. The monuments commemorate his victories over the Uaûaiû and the barbarous inhabitants of Nubia. Even after he had conquered the Delta he still continued to reside in Thebes; there he built his pyramid, and there divine honours were paid him from the day after his decease. A scene carved on the rocks north of Silsileh represents him as standing before his son Antûf; he is of gigantic stature, and one of his wives stands behind him.*
* Brugsch makes him out to be a descendant of Amenemhâît,
the prince of Thebes who lived under Monthotpu Nibtûirî, and
who went to bring the stone for that Pharaoh’s sarcophagus
from the Wady Hammamât. He had previously supposed him to be
this prince himself. Either of these hypotheses becomes
probable, according as Nibtûirî is supposed to have lived
before or after Nibkhrôûrî.