Drawn by Boudier, from a photograph by Beato.
Drawn by Faucher-Gudin, from a photograph by Beato.
At Luxor Amenôthes demolished the small temple with which the sovereigns of the XIIth and XIIIth dynasties had been satisfied, and replaced it by a structure which is still one of the finest yet remaining of the times of the Pharaohs. The naos rose sheer above the waters of the Nile, indeed its cornices projected over the river, and a staircase at the south side allowed the priests and devotees to embark directly from the rear of the building. The sanctuary was a single chamber, with an opening on its side, but so completely shut out from the daylight by the long dark hall at whose extremity it was placed as to be in perpetual obscurity. It was flanked by narrow, dimly lightly chambers, and was approached through a pronaos with four rows of columns, a vast court surrounded with porticoes occupying the foreground. At the present time the thick walls which enclosed the entire building are nearly level with the ground, half the ceilings have crumbled away, air and light penetrate into every nook, and during the inundation the water flowing into the courts, transformed them until recently into lakes, whither the flocks and herds of the village resorted in the heat of the day to bathe or quench their thirst. Pictures of mysterious events never meant for the public gaze now display their secrets in the light of the sun, and reveal to the eyes of the profane the supernatural events which preceded the birth of the king. On the northern side an avenue of sphinxes and crio-sphinxes led to the gates of old Thebes. At present most of these creatures are buried under the ruins of the modern town, or covered by the earth which overlies the ancient road; but a few are still visible, broken and shapeless from barbarous usage, and hardly retaining any traces of the inscriptions in which Amenôthes claimed them boastingly as his work.
Drawn by Boudier, from a photograph by Beato.