Drawn by Faucher-Gudin, from a photograph by Beato.
One hundred and twenty-two columns with lotiform capitals fill the aisles, in rows of nine each. The roof of the central bay is seventy-four feet above the ground, and the cornice of the two towers rises sixty-three feet higher. The building was dimly lighted from the roof of the central colonnade by means of stone gratings, through which the air and the sun’s rays entered sparingly. The daylight, as it penetrated into the hall, was rendered more and more obscure by the rows of columns; indeed, at the further end a perpetual twilight must have reigned, pierced by narrow shafts of light falling from the ventilation holes which were placed at intervals in the roof.
Drawn by Faucher-Gudin, from a photograph by Beato. In the
background, on the right, may be seen a column which for
several centuries has been retained in a half-fallen
position by the weight of its architrave.
The whole building now lies open to the sky, and the sunshine which floods it, pitilessly reveals the mutilations which it has suffered in the course of ages; but the general effect, though less mysterious, is none the less overwhelming. It is the only monument in which the first coup d’oil surpasses the expectations of the spectator instead of disappointing him. The size is immense, and we realise its immensity the more fully as we search our memory in vain to find anything with which to compare it. Seti may have entertained the project of building a replica of this hall in Southern Thebes. Amenôthes III. had left his temple at Luxor unfinished. The sanctuary and its surrounding buildings were used for purposes of worship, but the court of the customary pylon was wanting, and merely a thin wall concealed the mysteries from the sight of the vulgar. Seti resolved to extend the building in a northerly direction, without interfering with the thin screen which had satisfied his predecessors. Starting from the entrance in this wall, he planned an avenue of giant columns rivalling those of Karnak, which he destined to become the central colonnade of a hypostyle hall as vast as that of the sister temple. Either money or time was lacking to carry out his intention. He died before the aisles on either side were even begun. At Abydos, however, he was more successful. We do not know the reason of Seti’s particular affection for this town; it is possible that his family held some fief there, or it may be that he desired to show the peculiar estimation in which he held its local god, and intended, by the homage that he lavished on him, to cause the fact to be forgotten that he bore the name of Sit the accursed.
Drawn by Faucher-Gudin, from a photograph by Beato.
The king selected a favourable site for his temple to the south of the town, on the slope of a sandhill bordering the canal, and he marked out in the hardened soil a ground plan of considerable originality. The building was approached through two pylons, the remains of which are now hidden under the houses of Aarabat el-Madfuneh.