* French scholars recognised from the beginning of this
century that the passage in question had been made by human
agency. I attribute the execution of this work to Ramses I.,
as I believe Harmhabî to have been buried in the eastern
valley, near Amenôthes III.
It is not known whether this herculean work was accomplished during the reign of Harnhabî or in that of Ramses I. The latter was the first of the Pharaohs to honour the spot by his presence. His tomb is simple, almost coarse in its workmanship, and comprises a gentle inclined passage, a vault and a sarcophagus of rough stone. That of Seti, on the contrary, is a veritable palace, extending to a distance of 325 feet into the mountain-side. It is entered by a wide and lofty door, which opens on to a staircase of twenty-seven steps, leading to an inclined corridor; other staircases of shallow steps follow with their landings; then come successively a hypostyle hall, and, at the extreme end, a vaulted chamber, all of which are decorated with mysterious scenes and covered with inscriptions. This is, however, but the first storey, containing the antechambers of the dead, but not their living-rooms. A passage and steps, concealed under a slab to the left of the hall, lead to the real vault, which held the mummy and its funerary furniture. As we penetrate further and further by the light of torches into this subterranean abode, we see that the walls are covered with pictures and formulae, setting forth the voyages of the soul through the twelve hours of the night, its trials, its judgment, its reception by the departed, and its apotheosis—all depicted on the rock with the same perfection as that which characterises the bas-reliefs on the finest slabs of Tûrah stone at Qurnah and Abydos. A gallery leading out of the last of these chambers extends a few feet further and then stops abruptly; the engineers had contemplated the excavation of a third storey to the tomb, when the death of their master obliged them to suspend their task. The king’s sarcophagus consists of a block of alabaster, hollowed out, polished, and carved with figures and hieroglyphs, with all the minuteness which we associate with the cutting of a gem.
Drawn by Boudier, from a photograph by Insinger, taken in
1884.
It contained a wooden coffin, shaped to the human figure and painted white, the features picked out in black, and enamel eyes inserted in a mounting of bronze. The mummy is that of a thin elderly man, well preserved; the face was covered by a mask made of linen smeared with pitch, but when this was raised by means of a chisel, the fine kingly head was exposed to view. It was a masterpiece of the art of the embalmer, and the expression of the face was that of one who had only a few hours previously breathed his last. Death had slightly drawn the nostrils and contracted the lips, the pressure of the bandages had flattened the nose a little, and the skin was darkened by the pitch; but a calm and gentle smile still played over the mouth, and the half-opened eyelids allowed a glimpse to be seen from under their lashes of an apparently moist and glistening line,—the reflection from the white porcelain eyes let in to the orbit at the time of burial.
Seti had had several children by his wife Tuîa, and the eldest had already reached manhood when his father ascended the throne, for he had accompanied him on his Syrian campaign. The young prince died, however, soon after his return, and his right to the crown devolved on his younger brother, who, like his grandfather, bore the name of Ramses. The prince was still very young,* but Seti did not on that account delay enthroning with great pomp this son who had a better right to the throne than himself.
* The history of the youth and the accession of Ramses II.
is known to us from the narrative given by himself in the
temple of Seti I. at Abydos. The bulk of the narrative is
confirmed by the evidence of the Kubân inscription,
especially as to the extreme youth of Ramses at the time
when he was first associated with the crown.
“From the time that I was in the egg,” Ramses writes later on, “the great ones sniffed the earth before me; when I attained to the rank of eldest son and heir upon the throne of Sibû, I dealt with affairs, I commanded as chief the foot-soldiers and the chariots. My father having appeared before the people, when I was but a very little boy in his arms, said to me: ‘I shall have him crowned king, that I may see him in all his splendour while I am still on this earth!’ The nobles of the court having drawn near to place the pschent upon my head: ‘Place the diadem upon his forehead!’ said he.” As Ramses increased in years, Seti delighted to confer upon him, one after the other, the principal attributes of power; “while he was still upon this earth, regulating everything in the land, defending its frontiers, and watching over the welfare of its inhabitants, he cried: ‘Let him reign!’ because of the love he had for me.” Seti also chose for him wives, beautiful “as are those of his palace,” and he gave him in marriage his sisters Nofrîtari II. Mîmût and Isîtnofrît, who, like Ramses himself, had claims to the throne. Ramses was allowed to attend the State councils at the age of ten; he commanded armies, and he administered justice under the direction of his father and his viziers. Seti, however, although making use of his son’s youth and activity, did not in any sense retire in his favour; if he permitted Ramses to adopt the insignia of royalty—the cartouches, the pschent, the bulbous-shaped helmet, and the various sceptres—he still remained to the day of his death the principal State official, and he reckoned all the years of this dual sovereignty as those of his sole reign.*
* Brugsoh is wrong in reckoning the reign of Ramses II. from
the time of his association in the crown; the great
inscription of Abydos, which has been translated by Brugsch
himself, dates events which immediately followed the death
of Seti I. as belonging to the first year of Ramses II.