* About three and a half centuries later Sardes was captured
in the same way by one of the generals of Antiochus the
Great.
Croesus could not bear to survive the downfall of his kingdom: he erected a funeral pyre in the courtyard of his palace, and took up his position on it, together with his wives, his daughters, and the noblest youths of his court, surrounded by his most precious possessions. He could cite the example of more than one vanquished monarch of the ancient Asiatic world in choosing such an end, and one of the fabulous ancestors of his race, Sandon-Herakles, had perished after this fashion in the midst of the flames. Was the sacrifice carried out? Everything leads us to believe that it was, but popular feeling could not be resigned to the idea that a prince who had shown such liberality towards the gods in his prosperity should be abandoned by them in the time of his direst need. They came to believe that the Lydian monarch had expiated by his own defeat the crime by the help of which his ancestor Gyges had usurped the throne. Apollo had endeavoured to delay the punishment till the next generation, that it might fall on the son of his votary, but he had succeeded in obtaining from fate a respite of three years only. Even then he had not despaired, and had warned Croesus by the voice of the oracles. They had foretold him that, in crossing the Halys, the Lydians ^would destroy a great empire, and that their power would last till the day when a mule should sit upon the throne of Media. Croesus, blinded by fate, could not see that Cyrus, who was of mixed race, Persian by his father and Median by his mother, was the predicted mule. He therefore crossed the Halys, and a great empire fell, but it was his own. At all events, the god might have desired to show that to honour his altars and adorn his temple was in itself, after all, the best of treasures. “When Sardes, suffering the vengeance of Zeus, was conquered by the army of the Persians, the god of the golden sword, Apollo, was the guardian of Croesus. When the day of despair arrived, the king could not resign himself to tears and servitude; within the brazen-walled court he erected a funeral pyre, on which, together with his chaste spouse and his bitterly lamenting daughters of beautiful locks, he mounted; he raised his hands towards the depths of the ether and cried: ‘Proud fate, where is the gratitude of the gods, where is the prince, the child of Leto? Where is now the house of Alyattes?... The ancient citadel of Sardes has fallen, the Pactolus of golden waves runs red with blood; ignominiously are the women driven from their well-decked chambers! That which was once my hated foe is now my friend, and the sweetest thing is to die!’ Thus he spoke, and ordered the softly moving eunuch* to set fire to the wooden structure.
* The word translated “softly moving eunuch” is here perhaps
a proper name: the slave whose duty it was to kindle the
pyre was called Abrobatas in the version of the story chosen
by Bacchylides, while that adopted by the potter whose work
is reproduced on the opposite page, calls him Euthymos.
The maidens shrieked and threw their arms around their mother, for the death before them was that most hated by mortals. But just when the sparkling fury of the cruel fire had spread around, Zeus, calling up a black-flanked cloud, extinguished the yellow flame.
Nothing is incredible of that which the will of the gods has decreed: Apollo of Delos, seizing the old man, bore him, together with his daughters of tender feet, into the Hyperborean land as a reward for his piety, for no mortal had sent richer offerings to the illustrious Pythô!”
Drawn by Faucher-Gudin, from a photograph of the original in
the Museum of the Louvre.
This miraculous ending delighted the poets and inspired many fine lines, but history could with difficulty accommodate itself to such a materialistic intervention of a divine being, and sought a less fabulous solution. The legend which appeared most probable to the worthy Herodotus did not even admit that the Lydian king took his own life; it was Cyrus who condemned him, either with a view of devoting the first-fruits of his victory to the immortals, or to test whether the immortals would save the rival whose piety had been so frequently held up to his admiration. The edges of the pyre had already taken light, when the Lydian king sighed and thrice repeated the name of Solon. It was a tardy recollection of a conversation in which the Athenian sage had stated, without being believed, that none can be accounted truly happy while they still live. Cyrus, applying it to himself, was seized with remorse or pity, and commanded the bystanders to quench the fire, but their efforts were in vain. Thereupon Croesus implored the pity of Apollo, and suddenly the sky, which up till then had been serene and clear, became overcast; thick clouds collected, and rain fell so heavily that the burning pile was at once extinguished.*
* The story told by Nicolas of Damascus comes down probably
from Xanthus of Lydia, but with many additions borrowed
directly from Herodotus and rhetorical developments by the
author himself. Most other writers who tell the story depend
for their information, either directly or indirectly, on
Herodotus: in later times it was supposed that the Lydian
king was preserved from the flames by the use of some
talisman such as the Ephesian letters.