An interesting and national spectacle was exhibited on the bowling-green under the castle walls of Denbigh, in the autumn of 1828; it is called in Welsh an Eistedfodd, and means a meeting of the bards. This is an institution of ancient origin, and was formerly held under a precept or commission from the crown, directed to the principal inhabitants in the district where the meeting was intended to be held. The latest royal mandate for the holding of an Eistedfodd was issued by Queen Elizabeth, and directed to the ancestors of some of the most respectable families now resident in Flint and Denbigh shires. The bardic assemblage of 1828 was accompanied by circumstances of a very peculiar and gratifying character, and the remembrance of it will long be cherished by all Cambrians who witnessed it, with feelings of the deepest and warmest enthusiasm. The verdant platform of the bowling-green commands one of the richest and happiest prospects in nature; the eye sweeps down the green hills on the south, and passing over the noble and broad valley of the Clwyd, climbs rapidly the Clwydian hills, where it finds an index to a brighter prospect in the national monument on Moel Ffammau. Here a handsome obelisk on the highest of the hills commemorates the fiftieth year of the eventful reign of King George the Third. This accidental circumstance gave an additional interest to this bardic meeting, for, by a singular coincidence, Sir E. Mostyn, a descendant of Sir Piers, one of the persons named in the precept of Elizabeth, was president of the Eistedfodd. A noble individual, the representative of the brave William Salisbury, the defender of the castle, graced the assemblage by his presence. A dignitary of the church, who embodied those gallant actions in a valuable history, judged some of the bardic effusions, and a royal prince looked gratefully over the heads of an innocent and happy people towards the monument which their loyalty and affection had raised to his venerable father.
VALLE CRUCIS ABBEY.
The Vale of Crucis opens into the beautiful scenery of Llangollen, about two miles from the little village. Fancy cannot paint a scene more suited to the indulgence of solemn thought. It is the spot which a recluse, enamoured of the great scenes of nature, where the eye is continually presented with sublime ideas, where every object contributes to soothe, but not transport the mind, would select as an habitation of cheerful solitude. In the days of its greatness it must have been a place consecrated to retirement, but now how much is the solitude of the scene heightened by the accompaniment of a ruined abbey shrouded in forest trees that wave over its mouldering towers,—
Say, ivy’d Valle Crucis; time decay’d
Dim on the brink of Deva’s wandering floods,
Your ivy’d arch glittering through the tangled shade,
Your gray hills towering o’er your night of woods;
Deep in the vale recesses as you stand,
And, desolately great, the rising sigh command:
Say, lonely ruin’d pile, when former years
Saw your pale train at midnight altars bow,
Saw superstition frown upon the tears
That mourn’d the rash, irrevocable vow,
Were one young lip gay Eleanora’s [77] smile?
Did “Zara’s look serene one tedious hour beguile?”
The foundation of the Cistercian Abbey of Valle Crucis is attributed to Gryffydd ap Madoc Maelor, Lord of Bromfield and Yale, about the year 1200; considerable parts of both church and abbey still remain. The former was cruciformed, and exhibits several styles of architecture. The eastern end is the most ancient; it is adorned by three lancet slips, forming one grand window. The entrance was in the west beneath a broad and beautifully ornamented window, above which is a smaller one of a marigold form, decorated with tracery and fret work, and under it may be discovered the following inscription:
A.D.A.M. D.N.S.—fecit hoc opus, pace beatâ quiescat. Amen.
The abbey and cloisters are more imperfect, the latter evidently built in a rich and ornamental style of architecture, well calculated to shed a “dim religious light,” but now desecrated into a farm house and offices.
RHUTHIN CASTLE.
Rhuthyn, or (Rhudd-Din, the red fort), is placed upon a gentle eminence on the south side of the vale of Clwyd, backed by wooded hills, and is one of the best and most agreeable towns in North Wales. It has undergone much modern improvement, and is possessed of several ancient endowments and privileges. The great sessions for the county are held here in a very elegant modern hall, faced with cut stone, and accurately finished in the interior. The church is spacious and architectural, designed and finished in an excellent style. A range of alms houses surround the churchyard, and represent the ancient hospital; and adjacent to the mansion of the warden is the free school, richly endowed by Gabriel Goodman, D.D. whose monument is set up against the north wall of the church.