As he spoke he pushed back the door for Hal of Hadnock to enter, and a scene was presented to his companion's sight which deserves rather to begin than end a chapter.
CHAPTER II.
[THE HALL AND ITS DENIZENS.]
The hall of the old house at Dunbury--long swept away by the two great destroyers of man's works, Time and Change--was a spacious vaulted chamber, of about sixty feet in its entire length, by from thirty-five to forty in width; but, at the end next the court, a part of the pavement, of about nine feet broad, and some eighteen or twenty inches lower than the rest, was separated from the hall by two broad steps running all the way across. This inferior space presented three doors; the great one communicating at once with the court, and two others in the angles, at the right side and the left, leading to chambers in the rest of the building. At the further end of the hall, on the left, was another small door, opposite to which there appeared the first four steps of a staircase, which wound away with a turn to apartments above. There was a high window over the principal entrance, from which the room received, in the daytime, its only light; and about half way up the chamber, on the left hand, was the wide chimney and hearth, with seats on either side, and two vast bars of iron between them for burning wood. In the midst of the pavement stood a long table, with some benches, one or two stools and a great chair, in which the master of the mansion seated himself at the time of meals; but the hall presented no other ornament whatever, except a number of lances, bows, cross-bows, axes, maces, and other offensive arms, which were ranged with some taste against the walls. The armoury was in another part of the house, and these weapons seemed only admitted here to be ready in case of immediate need; for those were times in which men did not always know how soon the hand might be called upon to defend the head.
When Richard of Woodville and his companion entered, some six or seven large logs, I might almost call them trees, were blazing on the hearth; and, in addition to the glare they afforded, a sconce of seven burners above the chimney shed a full light upon the party assembled round the fire. That party was very numerous, for several maids and retainers, of whom it may not be necessary to speak more particularly, were scattered round the principal personages, busy with such occupations for the evening as were common in a rude age, when intellectual pursuits were very little cultivated.
The group in front, however, deserves more attention, consisting of seven persons, most of whom we shall have to speak of more than once in the course of these pages. In the seat within the chimney, just opposite the door, sat the master of the mansion, a tall powerful old man, who had seen many a battle-field in his day, during that and the preceding reign, and had borne away the marks of hard blows upon his face. He was spare and large boned in form, with his hair and beard[[1]] very nearly white; but he was hale and florid withal, and his countenance, though strongly marked, had an expression of kindness and good humour, not at all incompatible with the indications of a quick and fiery temper, which were to be discovered in the sparkle of his undimmed blue eye, and the sudden contraction of his brow when anything surprised him. The seat on the other side of the fire was not visible from the door by which the two wayfarers entered; but beyond the angle of the chimney, protruded into the light, the arm, shoulder, and part of the head of another tall old man, apparently clothed in the grey gown of some monastic order.
On the left of Sir Philip Beauchamp was seated a young lady, perhaps eighteen or nineteen years of age, with her arm resting on his knee, and her head and figure bent gracefully towards him. Her hair was as black as jet, her skin soft and clear, and her complexion somewhat pale, though a slight tinge of the rose might be seen upon her cheek. Her eyes, like her father's, were of a deep clear blue, though the long black fringes that bordered her eyelids in a long sweeping line, made them, at a distance, look as dark as her hair. She seemed neither above nor below the ordinary height of woman; and her whole figure, though by no means thin, was slim and delicate. The small exquisite foot and rounded ancle inclining gracefully towards the fire, were displayed by the posture in which she had placed herself; and the hand that rested on her father's knee, with long fingers tapering to the point, showed in every line the high Norman blood of her race.
Next to Isabel Beauchamp, the only daughter of the old knight, was another lady, perhaps a year younger. She was in several respects strikingly contrasted to her fair companion, though hardly less beautiful. Her hair was of a light glossy brown, catching a warm gleam wherever the light fell upon it, as fine as silk new spun from the cone, yet curling in large bunches wherever it could escape from the bands that confined it. Her complexion was fair and glowing; her cheek warm with health, and her skin as soft and smooth as that of a child. To look upon her at a little distance, one would have expected to find the merry grey or blue eye, so often seen in the pretty village maid; but hers was dark brown, large, and full, and soft, yet with a laughing light therein, that seemed to speak a buoyant and a happy heart. In form she was somewhat taller than the other; but though her waist looked as if it would have required no giant's hand to span it round, yet there was that sort of full and graceful sweep in all the lines, which painters and statuaries, I believe, call contour. Nought but the tip of one foot was seen from beneath the long and flowing petticoat then in fashion; but even from that, one might judge that nothing much more neat and small ever beat the turf, except amongst the elves of fairy land. Her hand rested upon a frame of embroidery, at which she had been working, and her head was slightly bent forward, as if to hear something said by the good Abbot of the convent, who sat opposite to his brother, in the seat within the chimney. But between her and him was another group, consisting of three persons, which somewhat detached itself from the rest. Two were seated, a lady and a gentleman, and the third was standing with his arms folded on his chest a little behind the others.
The backs of these three were turned towards the door by which Woodville and his companions entered; and they were somewhat in the shade, being placed between the lower end of the hall and the light both of the fire and the sconce; but as we are now looking at the picture of the whole, we may as well examine the details before we proceed.
The lady bore a striking resemblance in features, complexion, and form, to Isabel Beauchamp, whom we have already described; and the Lady Catherine might well be taken, as was often the case, for her cousin's sister. She was taller, indeed, though not much; but the chief difference was in the expression of the two countenances. Catherine's wanted all the gentleness, the tenderness, the thoughtfulness, of Isabel's. It could assume a look of playful coquetry, it could seem grave, it could seem joyous; but with each expression there mingled a touch of pride, perhaps, too, of vanity; and a scornful turn of the lip and well-chiseled nostril, as well as a quick flash of the eye, spoke the rash and haughty spirit which too certainly dwelt within her breast.