"Heaven forbid!" cried Randal; "but I am sure you never have seen it, because you say you have. However, you must either speak truth to-night or hold your tongue. I did not stop you in your course of gasconade with that roundheaded knave at the inn, because I knew that you must void a certain quantity of falsehood in the day, and it was necessary to get rid of it before you came up here; for this young lord is not one to take counterfeit coin."
"The monster!" exclaimed Barecolt; "there is not a more cruel or barbarous creature in the earth than the man who drives from his door all the sweet little children of the imagination which you call lies. He is wanting in all human charity. Give me the generous and confiding soul who believes everything that is said to him, and enjoys the story of a traveller who relates to him wild scenes in lands he never has visited, just as much as if it were all as true as history----"
"Which is itself a lie," rejoined the other. "Had this young man's father been alive, you would have found a person after your own heart. He was a man of vast capabilities of belief. His mind was but a looking-glass, always representing what was before it; his religion was in the last sermon he had heard, his politics in the last broadsheet, his opinions those of his companions for the hour, his taste the newest mode that he had seen. He was the quintessence of an ordinary-minded man; but his son is a very different being."
Barecolt made no rash promise of abstaining from his favourite amusement, but walked on for about a hundred yards in silence, till suddenly his companion exclaimed, "Do you not see a strange light shining through the wood before us? Hark, there is an alarum-bell!" And hurrying his pace, he issued forth from the wood some three hundred yards farther on, where the cause of the light they had remarked became too visible.
Rising up from one of the flanking towers of the old house, in large white volumes, to the very sky, was a tall column of smoke, spreading out towards the top, while from the building itself poured forth the rushing flame like a huge beacon, illuminating all the country round. Each window in that tower and the neighbouring wing emitted the same blaze; and it was very evident--although a number of persons were seen moving about upon the terrace, engaged apparently in the endeavour to extinguish the fire--that it was making its way rapidly towards the rest of the house.
The two strangers ran as fast as possible to give assistance. But before I pursue their adventures on that night, I must turn to speak of all that had taken place within the mansion of Bishop's Merton during the evening preceding the disaster which I have described.
[CHAPTER III.]
There was in the mansion of Bishop's Merton one of those delightful old chambers which, like a warm and benevolent heart, have a nook for every one. It was a large wide room, with a recess on one side big enough to have formed another room, and a lesser recess at each corner, on the same side, made by two small square turrets, each lighted by its own windows, and containing tables and chairs of its own, so that the studious or the meditative, but not the unsociable, could sit and read, or muse apart, without being actually cut off from the society assembled. The walls were all covered with tapestry, descended through many generations in the same family, and which had covered the walls of a similar chamber in an old castle, partly destroyed luring the civil wars of the Roses, and pulled down at the commencement of the reign of Henry the Eighth.
Out from the tapestry, however, after an old fashion, which certainly showed pictures to much greater advantage than when plastered upon the face of the wall, stood a great many portraits of different degrees of art, supported at the lower part by a gilt iron bracket, and upheld in a slightly sloping position by an iron bar at the top. From the cold, severe Holbein to the rich and juicy Rubens and the poetical Vandyke, all the famous artists of the last two centuries had exercised their pencils in pourtraying the features of a race which had always been fruitful in beauty; and the history of the changeful mind of those two ages was shadowed forth in the varying costume in which the characters appeared. Nor is it, let me say, dear reader, in passing, a alight indication of the state of the popular mind that is afforded by the dress of the day. Look at the Chevalier in his long floating locks, his silks and velvets, and at the Roundhead, in his steeple hat, his straight-cut suit and prim cloak, each with his heavy-hilted sword and large flapping gloves, and say whether Naseby Field and Marsden Moor, and all the deeds on either part, do not naturally, and not purely historically, connect themselves with such apparel; and then turn to ourselves, with our straight-cut frock-coats, neat, close-fitting boots, and other mathematical habiliments, which seem to have been fashioned by the rules and compasses of a Laputan sage, and tell me whether they do not plainly speak of an age of railroads and steam-boats.
There, however, stood the pictures of the brave and beautiful of other times, bending down over their once-familiar halls and the doings of their descendants, as the spirits of the dead may be supposed to gaze upon the actions of the children they have left behind; and there in the oriel window, just about the time of day at which we commenced this tale, sat a creature whom those long-gone bold warriors and lovely dames might look upon with pride, and own her of their blood.