Lucy looked not older than her years, for she was small and delicately formed; but yet there was the fulness of womanhood in every line. Her face had not much colour, and yet it was not pale, but the whole hue was warm and healthy, and fairer than that of the southern nations of Europe, though still evidently the complexion of what is now called a brunette. The brow, the nose, the lips, the chin, were all beautifully cut; though the model was not Greek, for the forehead was wider and higher, and there was a slight, a very slight wave in the line between the brow and the nose. The eyebrows were dark, small, and long, slightly depressed in the middle over the eye, but by no means either arched or strongly defined, according to the eastern notions of beauty, but, on the contrary, shaded softly off, so as only to show a definite line to beholders when at a little distance. The eyes beneath them were large and long, but with the deep black eyelashes, which she had derived from her mother, shading them so completely, that the sparkling of the dark iris was only clearly seen when she looked up.

That, however, was often the case; for in her gay liveliness, when she had said some little thing to tease or to surprise, she would still raise the "fringed curtain" of her eye to mark the effect it produced, and to have her smile at anything like astonishment that appeared upon the countenance of those who heard her.

The lip, too, was full of playfulness; for, indeed, sorrow had but sat there once, and tears were very unfrequent in those dark, bright eyes. There had been people seen, perhaps, more beautiful in mere feature, but few more beautiful in expression, and certainly none ever more captivating in grace of movement and in variety of countenance. Her dress was full of gay and shining colours, but yet so well assorted, so harmonious in their contrast, that the effect could not be called gaudy.

The same was not the case with her two women, who, with the pleasant familiarity of those times, were chattering lightly to their mistress as they rode along, upon the ordinary subject of women's thoughts in all ages--alas! I mean dress. There was, on the contrary, a good deal of gaudiness about their apparel, and their taste did not appear to be of the most refined kind.

"Nay, dear lady," said one of them, "I would have put on the robe of arms when I was going to Nottingham to wait for my father. It does look so magnificent, with the escutcheon of pretence for Minorca just on your breast, the silver field on one side, and the azure field on the other, and the beautiful wyverns all in gold."

"I cannot bear it, silly girl," replied the lady; "to hear you talk about wearing the fields, one would suppose that I was a piece of arable land; and as to coats of arms, Judith, I like not this new custom; women have nothing to do with coats of arms. I put it on once to please my brother, but I will never wear it again, so he may cut the skirt off and use it himself next time he goes to a tournament."

"Dear, now, lady, how you jest," replied the girl; "he could never get it on; why, Lord Alured's thigh is thicker than your waist; and I do declare I think it much handsomer than that azure and gold you are so fond of. I would not wear that, at all events."

"And pray, why not?" demanded Lucy de Ashby, with some surprise; "they are the two colours that divide the universe, girl--azure the colour for heaven, gold the only colour for this earth; so between the two I should have all mankind on my side. Why would you not wear them?"

"Because they are the colours of the Monthermers," replied the girl; "and they are old enemies of your house."

"But they are friends now," rejoined Lucy, into whose cheek, to say truth, the blood had come up somewhat warmly. She ventured to say nothing more for a minute or two, and when she did speak again, changed the subject.