"Oh, tell it, tell it then!" cried the lady; "that is quite according to every ballad in the land! The knight always finds the lady in the wood, and then narrates his lamentable history."
"Mine shall be a short one, at all events," said Hugh, and he proceeded, as briefly as possible, to relate all that had occurred to him during the last six-and-thirty hours.
Every one, of course, in this world tells his story in his own way, and his manner of telling it is not alone modified by his own peculiar character, but by the circumstances in which he is placed, and the passions that are within him at the moment. This truism may be trite enough, but it was applicable to the case of Hugh de Monthermer, for his own sensations at the time affected the method of telling his tale even more than any of the peculiarities of his own nature. The feelings that he entertained towards Lucy de Ashby--the difficulty of restraining those feelings, and yet the fear of suffering them to appear too openly, circumstanced as he then was, all modified his history, and made it very different from what it would have been had he been indifferent to the person whom he addressed. Love, however, has ever been considered a skilful teacher of oratory, and without any actual intention of doing so, every word that Hugh de Monthermer uttered showed the fair girl beside him something more of the passion which she already knew was in his heart.
He paused but little upon the anxiety of her father, or the indignation of her brother, but he detailed at length the whole of his own course while seeking her, the grief he had felt, the apprehensions he had entertained, and the disappointment he had experienced when frustrated in his endeavours; and, although there appeared from time to time flashes of his own gay and sparkling disposition--though he told his tale jestingly, with many a light figure and playful illustration, there was an undertone of deep tenderness running through the whole, which showed Lucy that the sportive tone was but as a light veil cast over the true feelings of his heart.
The reader need hardly be told, after the traits that we have given--which, though they be few, were significant enough--that Lucy was not by any means displeased with the discoveries which she made in Hugh de Monthermer's bosom. That she loved him we have not attempted to conceal, but the history of her love is somewhat curious, and worth inquiring into, as it displays some of the little secrets of the human heart.
Lucy de Ashby was by no means a coquette; her nature was too tender--too sensitive, her mind too imaginative for cold arts. She knew that she was beautiful, it is true; indeed she could not doubt it, for she saw it in every mirror, and heard it from every tongue; but she was far less anxious for admiration than for love. Indeed, to persons not naturally vain, who aim at higher objects than merely to please the eye, personal admiration, although they may know that they deserve it, may sometimes become even burdensome. Lucy, for one, was tired of hearing that she was beautiful, and to tell her that she was so, in whatever courtly forms the intimation might be conveyed, was no way of winning her favour. It was the general mode, however adopted by the young nobles who frequented the Court of England, and were admitted to her father's house. They thought they could never too much praise her loveliness or extol her grace. It was the custom of the day, the only mode of winning lady's love then known; and the world were much surprised to find that for one or two years she remained very cold and insensible to all who strove by such means to raise a warmer feeling in her bosom.
During the greater part of that time the House of Monthermer had been at open enmity with that of Ashby, and Hugh himself was the object of many a bitter and an angry speech on the part both of her father and her brother. Now it may seem that the fair lady was a little animated by the spirit of contradiction, when we acknowledge that the hatred which her family entertained towards the young Lord Hugh was one of the first causes that created in Lucy's bosom a feeling in his favour. But the reader must not forget, Lucy had no reason to suppose that the animosity of her family was well-founded, or their harsh censure just. On the contrary, from every indifferent person whom she was inclined to respect and esteem, she heard the highest praises of him whom her father and brother delighted to decry. She saw, also, that they themselves had no slight difficulty in finding matter for blame in the conduct of the rival house; and when occasionally the two families met, either at the Court or at any of the chivalrous pageants of the day, it seemed to her that in demeanour, at least, Hugh de Monthermer was very different from that which the voice of angry passion represented him. All these things sunk into her mind; and although she said nothing upon the subject, but remained equally silent when he was condemned or praised, the conviction forced itself upon her that he was the object of injustice; and where is the woman's heart without that latent chivalry which instantly takes arms in favour of the oppressed?
Thus went on the history of Lucy's love till that reconciliation was brought about between the families, of which we have already spoken. Circumstances then led them into frequent communication, and a great change took place in her father's opinion of the young lord. He made no longer any difficulty of acknowledging that Hugh was one of the most distinguished gentlemen of the day; and though her brother Alured did not forget his enmity so easily--for in his case there was a touch of envious jealousy in it--yet he suffered the motives too plainly to appear; and Lucy, seeing, esteeming, and admiring, had always ready a champion in her own breast to defend the cause of Hugh de Monthermer. Had anything been wanting to lead her onward to that state in which the whole heart is given--where there is no retreat, and where all other sensations are swallowed up in love--some of the events of the first few months succeeding the reconciliation of the two families would have speedily furnished it.
For some time Hugh de Monthermer paid only such attention to Lucy de Ashby as the courtesy of the day required. She was certainly surprised--perhaps a little disappointed, that the only man for whose admiration she had ever wished, should not at once be captivated by her beauty, as others had been. Many a woman, under such circumstances, would have thrown out every lure, would have used every art to win his attention; but Lucy did not so: she retired to her own chamber, and fell into deep meditation. "He may love some one else," she said to herself, and as she said so, she felt inclined to weep; but she repressed her tears, and determined never to let her thoughts rest for a moment upon him again. She chid herself for unwomanly rashness, even for the preference she felt; but with poor Lucy the time for good resolutions or self-chiding to be of any avail, was past. She loved already--loved truly, and those who have so loved, well know that, like the garment imbued with the blood of Nessus, true affection, when once it clothes the human heart, can never be torn off, and that even in the effort to do so the very veins and flesh are rent away along with it.
She was not destined long to suffer any doubt, however: a single day brought her relief, and changed sorrow into joy. The Earl of Monthermer and his nephew were then at her father's castle of Lindwell, enjoying the sports of the brown autumn, and cementing the newly-revived friendship between the two houses in the intimate communication of domestic life. The day after she had indulged in the melancholy thoughts, and made all the vain resolutions, and addressed to her own heart the idle reproaches we have mentioned, Hugh and Lucy were seated next each other at the table, and at first their conversation was cold and commonplace. At length, however, as so often happens, something was said--some accidental word--some mere casual observation--some sentence, apparently as light as air, but accompanied by smile, or glance, or tone, indicative of feelings deeper than the words implied, and the heart of each seemed to open to the other as if by magic.