OR
THE TENANTS OF THE HEART.
CHAPTER I.
"Pouvons-nous pas dire, qu'il n'y a rien en nous, pendant cette prison terrestre, purement, ni corporel ni spirituel?" asks good old Montaigne, and certain it is that in many an act where we imagine the body alone takes part, the spirit has as great a share; and in many a thought where the mind seems to divest herself of clay, the impulse was given by the body, not the soul. But besides the contention between the corporeal and spiritual part of our nature, and the sort of swindling that goes on on both sides, he that looks into his own heart must acknowledge with him of old, that there seem to be two spirits within us. I do not only mean two spirits distinguished by their promptings to good and evil, but two principles separate in their nature, in their objects, and in their ultimate dwelling-place, the one tending to the earth, the other aspiring to the heavens; the one the principle of animal existence, the other the principle of immortal life; the one shared with the brutes that perish, the other that essence which raises us above them here and hereafter. What shall we call these two spirits? How shall we distinguish them, the one from the other, in speaking of them hereafter? Let us name the higher and the purer one, the spirit of the soul; and call the other, the spirit of the flesh; for both are distinct from mere intellect, which each uses as an agent, as each gains the ascendancy, or appeals to as a judge when the struggle is nearly equal. It is upon this struggle between these two principles that turns the greater part of each man's moral history.
One of the strangest points in that contest is, that the spirit of the soul, as we have called the one, appeals less frequently to the intellect than her earthly sister, leaving it, in general, to the latter, as if for her uses in this earth the powers of intellect were given, while the soul obtains its impulses from other sources, and, marked out for a higher destiny, receives winged inspirations from the world to which it tends--faith, conviction, sentiment, feeling, conscience;--and oh, how often does that better spirit seize the happy moment to open the eyes which all our powers of mind could not unclose, and strip the world and all its pleasures of the delusions which no force of intellect has been equal to dispel!
At the age of one-and-twenty years--It is a beautiful age, full of the spring, with all the vigour of manhood, without one touch of its decay; with all the fire of youth, without one touch of its feebleness! Oh, one-and-twenty! bright one-and-twenty!--wilt thou never come back to me again? No, never! The cord of the bow has been so often drawn that it has lost its elasticity; there have been a thousand flowers cast away that have withered in the dust of Time's sandy path; there have been a thousand fruits tasted that have left but the rind in my hand; there have been a thousand travel stains acquired that never can be washed off till the journey is done. That which has been lost, and that which has been gained, have both been gathered into the two baskets of the past; and whatever the future may have in store, one-and-twenty, with its many hopes, its few fears, its buoyancy of spirit, its elasticity of limb, its eagerness of expectation, its activity of pursuit, its aspirations, its desires, its faith, its confidence, its frankness, its garden of visionary flowers, and its atmosphere of misty light, can never, never come back to us, were we to whistle till we broke our hearts. No, no; in the sad arithmetic of years, multiply by what numbers you will, you can never get at one-and-twenty more than once.
At the age of one-and-twenty years, Morley Ehrenstein, or Ernstein, as it had been contracted, a gentleman--descended, as his name evinces, from a very old German family, who had made themselves a home in a foreign land, some three centuries before--sat in one of the large chambers of an English country-house, not many miles from the good town of Doncaster. No one tenanted the chamber but himself, and though it was a cheerful day of summer, and the room was one of a bright and sunny aspect, there was a degree of melancholy on the young man's countenance, which might be difficult to account for, if we did not look a little into his heart, and pause for a moment on his previous history. Let him gaze then at the ceiling, and study the quaint arabesques into which the plaster of Paris had been drawn; let him lean his head upon his hand, and examine the pretty nothings with which his table is covered; let him gaze out of the window into the far distance, as if he were about to paint a portrait of the weather-cock on the village church; but let you and I, dear reader, first put our friend into a microscope, and note down exactly every limb and feature and sinew, as if we were true Kirbys, anatomising a moth; and then let us look in the old almanacks, to discover some of the antecedents of his present state.
The young man, then, of whom we speak, was above the middle height, powerful in limb, and though so young, with but little of the slightness of youth remaining. Health, and strength, and activity, were to be traced in every swelling muscle, and those who regard what is merely corporeal, might well pronounce him a fine animal, even when at rest. When in activity, however--when hunting, swimming, leaping, or performing any of those rude exercises whereof Englishmen are so fond, and also so proud, with the glowing cheek and expanded nostril, the flashing eye, and the strong rounded outline of every limb, he looked like a fierce young horse, before the bit has taught it the force of any other power than its own strength. In every moment of excitement the animal spirit, the spirit of the flesh, started up strong and bold within him; his veins seemed to be filled with molten fire, his heart to be full of eagerness and impetuosity, his whole mind one active enthusiasm. He felt within him a thirst for unceasing action of any and every kind, and had it not been for certain qualities, which we shall notice hereafter, he would have been merely one of those who look upon all things round them, as objects on which to employ their reckless energy, and life itself but as a child's plaything.
He was young, dear reader, very young, and had neither learned from the bitter teaching of years nor from any sudden and sad experience, that the face must be, as it were, a veil to hide the countenance of the heart. There are few men who reach thirty, without more or less becoming hypocrites, and still fewer women; at least, as far as the expression of the features goes. There are some with whom the waters of time are like those of certain springs, and gradually petrify the face into a mask. There are others who retain their pliability of features, but reverse the action; cover hate and sorrow with a smile, or conceal joy and satisfaction with an air of icy indifference. There are some endowed by nature with lineaments of marble, and some who, by habit and by art, form for themselves an India-rubber countenance, which will stretch to whatsoever they require.
Morley Ernstein was none of these. He was very young, as we have said, and nature had made his looks the reflection of all that passed in his heart. His face was as a clear stream, through which one sees to the very bottom. He had never learned to rule its expressions, and those impulses which were but too apt to sway his actions, had still more power over his countenance.