"The Duchess has such excellent taste," said the lady on his right hand; "so she insisted upon it, that it should be dark green, with a thin line of stone colour, between the black and the green, and the arms only in light and shade."

Mr. Hamilton perceived that she was talking of the Duchess of Watercourse's new carriage, but Morley Ernstein knew nothing about it.

"Oh! but I know it did!" replied the young lady, on Ernstein's other side, speaking to a young gentleman, who might quite as well have been a young lady too; "it cost five hundred francs in Paris, and that is twenty pounds--is it not? But then it was à point d'armes, and it was trimmed with the most beautiful valenciennes, three fingers broad."

Mr. Hamilton guessed that she was talking of a pocket-handkerchief; but what she said was as unintelligible to Morley, as an essay on the differential calculus would have been to her. At that moment the young Baronet raised his eyes, with a curious sort of smile, to the face of his former guardian, and Mr. Hamilton certainly read his look, and connected it with their conversation of that morning. It seemed to say--"Notwithstanding all your exhortations, my good friend, the study of the higher classes of society does not appear to me to tend much to edification." But Mr. Hamilton, who knew that there is such a thing as being stupid by convention, made an effort to give his young friend an opening, and consequently addressing the lady who had last been speaking, he said--"Pray, what do you call à point d'armes, Lady Caroline?--I confess I am very ignorant, and so, I fear, is my friend Morley, next to you."

The young lady coloured a little, and laughed, saying--"I was only talking of a pocket-handkerchief which cost five hundred francs."

"Was any one wicked enough to give it?" said Morley, to whom she had addressed the last few words.

"O dear, yes," she replied; "we good people in London are wicked enough to do anything for the sake of fashion."

"There is candour enough, at least, in the avowal," thought Morley Ernstein, and there was something in the young lady's tone as she answered, which struck him, and made him conceive that his first opinion of her mental powers, might not be altogether accurate.

Let it be remarked, that, the very general idea, that speech consists of words alone, is extremely erroneous. That the parts of speech, indeed, which are beaten into us at school, and for which, during a certain period of our lives, we curse all the grammarians that ever lived, from Priscian down to Lily, consist entirely of words, is true; but he who looks closer than any of these grammar-makers at the real philosophy of language, will find that speech consists of three distinct branches--words, looks, and tones. All these must act together to make what is properly called speech. Without either of the two last branches, the words rightly arranged form but what is called language; but that is a very different thing. How much is there in a tone?--what a variety of meanings will it give to the same word, or to the same sentence! It renders occasionally the same phrase negative or affirmative; it continually changes it from an assertion to an interrogation. The most positive form of language in the world, under the magic influence of a tone, becomes the strongest expression of doubt, and "I will not" means "I will" full as frequently as anything else.

Tones, too, besides shewing the meaning of the speaker at the moment, occasionally go on to display the character of his mind or the habitual direction of his thoughts; and it was by this interpreter that Morley Ernstein was led at once to translate the little insignificant moral that fell from his fair neighbour's lips, into a hint, that her mind did not always dwell upon the frivolous things of which she had just been speaking. He followed the direction in which she led: the conversation grew brighter, more animated; many persons took part in it; many subjects were discussed; the freshness of Morley's mind led others gaily after him. The vehemence and eagerness of his natural character, carried him off to a thousand subjects, which he at first never dreamed of touching upon; and in short, the conversation of the next half hour was like the wild gallop which we have seen him take across his own park; and, as then too, he ended by leaping the wall at a hound, and plunging into a topic, which might well be compared to the high road, being neither more nor less than politics.