De Coucy's mind soon wandered through all the battles, and tournaments, and passes of arms that could possibly be fought; and then his fancy, by what was in those days a very natural digression, turned to love--and he thought of all the thousand ladies he had loved in his life; and, upon recollecting all the separate charms of each, he found that they were all very beautiful: he could not deny it. But yet certainly, beyond all doubt, the fair Isadore of the Mount, with her dark, dark eyes, and her clear, bland brow, and her mouth such as angels smile with, was far more beautiful than any of them.
But still De Coucy asked himself, why he could not tell her so? He had never found it difficult to tell any one they were beautiful before; or to declare that he loved them; or to ask them for a glove, or a bracelet, or a token to fix on his helm, and be his second in the battle: but now, he felt sure that he had stammered like a schoolboy, and spoken below his voice, like a young squire to an old knight. So De Coucy concluded, from all these symptoms, that he could not be in love; and fully convinced thereof, he very naturally fell asleep.
CHAPTER IV.
We must now change the scene, and, leaving wilds and mountains, come to a more busy though still a rural view. From the small, narrow windows of the ancient château of Compiègne might be seen, on the one side, the forest with its ocean of green and waving boughs; and on the other, a lively little town on the banks of the Oise, the windings of which river could be traced from the higher towers, far beyond its junction with the Aisne, into the distant country. Yet, notwithstanding that it was a town, Compiègne scarcely detracted from the rural aspect of the picture. It had, even in those days, its gardens and its fruit-trees, which gave it an air of verdure, and blended it, as it were, insensibly with the forest, that waved against its very walls. The green thatches, too, of its houses, in which slate or tile was unknown, covered with moss, and lichens, and flowering houseleek, offered not the cold, stiff uniformity of modern roofs; and the eye that looked down upon those constructions of art in its earliest and rudest form found all the picturesque irregularity of nature.
Gazing from one of the narrow windows of a large square chamber, in the keep of the château, were two beings, who seemed to be enjoying, to the full, those bright hours of early affection, which are well called "the summer days of existence," yielding flowers, and warmth, and sunshine, and splendour;--hours that are so seldom known;--hours that so often pass away like dreams;--hours which are such strangers in courts, that, when they do intrude with their warm rays into the cold precincts of a palace, history marks their coming as a phenomenon, too often followed by a storm.
Alone, in the solitude of that large chamber, those two beings were as if in a world by themselves. The fair girl, seemingly scarce nineteen years of age, with her light hair floating upon her shoulders in large masses of shining curls, leaned her cheek upon her hand, and gazing with her full, soft, blue eyes over the far extended landscape, appeared lost in thought; while her other hand, fondly clasped in that of her companion, pointed out, as it were, how nearly linked he was to her seemingly abstracted thoughts.
The other tenant of that chamber was a man of thirty-two or thirty-three years of age, tall, well-formed, handsome, of the same fair complexion as his companion, but bronzed by the manly florid hue of robust health, exposure, and exercise. His nose was slightly aquiline, his chin rounded and rather prominent, and his blue eyes would have been fine and expressive, had they not been rather nearer together than the just proportion, and stained, as it were on the very iris, by some hazel spots in the midst of the blue. The effect, however, of the whole was pleasing; and the very defect of the eyes, by its singularity, gave something fine and distinguished to the countenance; while their nearness, joined with the fire that shone out in their glance, seemed to speak that keen and quick sagacity, which sees and determines at once, in the midst of thick dangers and perplexity.
The expression, however, of those eyes was now calm and soft, while sometimes holding her hand in his, sometimes playing with a crown of wild roses he had put on his companion's head, he mingled one rich curl after another with the green leaves and the blushing flowers; and, leaning with his left arm against the embrasure of the window, high above her head, as she sat gazing out upon the landscape, he looked down upon the beautiful creature, through the mazes of whose hair his other hand was straying, with a smile strangely mingled of affection for her, and mockery of his own light employment.
There was grace, and repose, and dignity, in his whole figure, and the simple green hunting tunic which he wore, without robe, or hood, or ornament whatever, served better to show its easy majesty, than would the robes of a king--and yet this was Philip Augustus.
"So pensive, sweet Agnes!" said he, after a moment's silence, thus waking from her reverie the lovely Agnes de Meranie, whom he had married shortly after the sycophant bishops of France had pronounced the nullity of his unconsummated marriage with Ingerburge,[[7]] for whom he had conceived the most inexplicable aversion:--"So pensive," he said. "Where did those sweet thoughts wander?"