CHAPTER I.
There is no mistake more common among historians, no mistake more mischievous, than to take for granted, without deduction, all the statements of the satirists and splenetics of past-by ages as to the manners and customs of their own times, and of the people with whom they mingled. There are half a dozen, at least, of the pleasant little passions of human nature which lead men, especially men of letters, to decry their companions, their friends, and their neighbors--nay, even their countrymen and their country. To say nothing of "envy, hatred, malice, and all uncharitableness"--sins common enough to be wisely prayed against--pride, vanity, and levity point the pen, direct the words, or furnish forth a little drop of gall to every man who is giving an account of the times in which he lives and the country in which he dwells, for those who are living or to live at a distance of space or time from himself. It is pleasant to place our own brightness on a dark back-ground; and the all but universal propensity of mankind to caricature derives an extraordinary zest in its exercise, when, by rendering others around us contemptible or odious, we can bring out our own characters in bolder relief. But there are other, perhaps even meaner motives still, which induce men frequently to portray their own times in broad and distorted sketches. The faculty of admiration is a very rare one; the faculty of just appreciation a rarer one still; but every one loves to laugh; every one feels himself elevated by the contemplation of absurdities in others. There is a vain fondness for the grotesque lurking in the bosoms of most men; and a consciousness that sly or even gross satire, and delicate or coarse caricature, are the best means of giving pleasure to the great mass of mankind, is probably one reason why we find such depreciatory exaggeration in the writings of all those who have given pictures of their own times. The letters of Petrarch, the statements of Hollingshed, the pictures of Hogarth, the romances of Smollett and Fielding, all furnish, it is true, certain sketches of their own times from which we can derive some valuable information, but so distorted by passion, by prejudice, by a satirical spirit, or a love of the ridiculous, that the portrait can be no more relied upon, in its details, than Bunbury's caricature of a Cantab for the general appearance of Cambridge scholars.
To give such pictures is mischievous in itself; but I can not help thinking that for an historian to follow them without allowance is more mischievous still. If there be a deviation on either side--though any deviation should be avoided, if possible--surely it would be better for every moral object to paint the past more bright rather than more foul, as the past alone contains the just objects of imitation, though we may emulate contemporary virtue or aspire to ideal perfection in the future.
Truth--plain, simple truth, with such reflections upon the verities of the past as may tend to benefit mankind in the present and the future, forms all that the historian can desire; but he might as well hope to draw truth from the pages of the satirists of any age, as a future portrait painter might represent Lord John Russell or Lord Brougham from the caricatures in Punch, where a certain likeness is kept up, but every peculiarity is exaggerated with the grossest extravagance.
I enter my caveat against the picture given of the state of England in the year 1685 by Mr. Macaulay, in his great and fanciful historical work, and especially against that part of it which refers to the English country gentlemen of those times, and to the English country clergy. That such men did exist as those from which he has drawn his statement, there can be no doubt; that they did exist in a greater proportion than at present, there can be no doubt either; but that the great mass were such as he has represented, may be very safely denied. Pickwicks, and Tupmans, and Winkles are full of truth; but society is not made up of these; and the reign of Victoria would appear very ill in history if, by misfortune, it should have for its future historian one inclined to paint the state of England in 1850 from similar sources to those which have been pressed into the service of Mr. Macaulay.
Nor does his reasoning afford any support to his statements; for, when important elements are left out of calculation, the result can never be admitted. Thus, when he says, "A country gentleman who witnessed the revolution was probably in receipt of about a fourth part of the rent which his acres now yield to his posterity. He was, therefore, as compared with his posterity, a poor man, and was generally under the necessity of residing with little interruption on his estate." The historian forgets to state what was the comparative value of money at the period he speaks of, and therefore can not draw as a fair inference from the amount of rent, that the country gentleman of those days was condemned by poverty to perpetual seclusion in the country, which is, in fact, what he attempts to show. The tastes, the habits of a country gentleman of that period kept him probably more in the country; but it was not poverty. Even in the eighteenth century, we find gentlemen of an estate producing two thousand pounds a year keeping a pack of hounds without burdening their property, and every true picture of country life which has descended to us shows that the country gentlemen in general lived more at their ease than the same class in the present day, and were as numerous in proportion to the population. If their enjoyments were not so refined, it was because the age was not so refined; and though the picture of Squire Alworthy may be a pleasing exaggeration on the one hand, that of Squire Western is an unpleasant caricature on the other, while the truth lay between, and a multitude of country gentlemen existed of a very fair degree of polish, without all the refined virtues of the one or the brutal coarseness of the other.
CHAPTER II.
On the borders of Lincolnshire stood an old building, which had preserved the name given to it more than two centuries before, though the purpose which had given significance and propriety to that name had passed away. It was a long, tall edifice of stone, somewhat like the body of a church, and, as if to give it more resemblance still to a religious edifice, another building had been added to the end of the first, a story higher, and having some resemblance to a tower. This additional part was built of brick; but moss and lichen had reduced both stone and brick to very nearly one color; for though, when viewed nearer, a variety of hues were to be discovered in the cryptogamous vegetation which covered the walls, at a distance the general tint was a brownish gray. The windows in the longer portion of the building were placed in pointed arches, somewhat rudely and carelessly decorated; those in the taller and newer portion were, on the contrary, generally square, with a stone label above them, though some had that flattened arch peculiarly characteristic of the worst Tudor architecture. The whole building was not very large, and it was clear, at first sight, that the long portion was devoted to barns, stables, cart-houses, &c., while the other was separated for human habitation. At the distance of some sixty or seventy yards from the house, a long triple row of old elms topped a high bank, affording nesting-place for innumerable rooks; and a little, clear stream, not unconscious of trout, ran babbling along, mixing its melody with the music of the birds. A stone wall, breast high, and in some decay, encircled the whole, with two large uncouth posts ornamented with fragments of urns, giving entrance, unimpeded by any gate between them, to any one who might wish to approach the front door of the dwelling-house. There probably had been a gate there once, for some iron work on the posts seemed to show that they had been intended to support something; but if so, the gate had long been gone--made into pikes in the civil war for aught I know.
The scene around this old house, when viewed from the top of the bank, was desolate enough. A wide, fenny piece of uninclosed land stretched out far toward the north and east, only interrupted at the distance of some three miles by an undulating rise of woodland. But, nevertheless, the coloring was often fine, especially on autumnal evenings, when the moor assumed a solemn, intense blue tint, and the pools and distant river gleamed like rubies in the rich light of the setting sun.
On the other side, behind the house, the country had a more cheerful look, with some well-cultivated fields sloping up, as the land rose to the west, and many a knoll and gentle wave, and scattered trees, with a thicker wood beyond, while sweeping away southward were hedgerows and a hamlet here and there, the tower of a village church, and the chimneys of a distant manor-house.