"Fear not, Maria!" said her mistress. "You, who have ever given me encouragement and support, must not fear now. There is God even here."
"Be quick, then, and come along," said the gaoler, "but first give me the money." Clémence poured it into his hand; and when he had got it, he paused, hesitating as if he were tempted by the spirit of evil to keep the gold and refuse her admission. But if such were the case, a moment's reflection showed him that to attempt it would be ruinous; and he, therefore, led the way along the passage in which they were, putting his finger upon his lips to enjoin silence, as they passed by a part of the prison which seemed to be inhabited by those who had some means of obtaining luxuries. At length, however, he lowered a lantern which he carried, and pointed to two or three steps which led into another passage, narrower, damper, and colder than the former. At the distance of about fifty feet from the steps this corridor was crossed by another; and turning to the right over a rough uneven flooring of earth, with the faint light of the lantern gleaming here and there on the damp green glistening mould of the walls, he walked on till he reached the end, and then opened a low heavy door.
All within was dark, and, as the man drew back to let his female companions pass, the attendant, Maria, laid her hand upon the lantern, saying, "Give us a light, at least!"
"Ah! well, you may have it," grumbled forth the gaoler; and Clémence, who though resolute to her purpose, still felt the natural fears of her sex and her situation, turned to him, saying, "I give you three more of those pieces when you open the door again for me."
"Oh, I'll do that--I'll do that!" replied the man, quickened by the gold; and while Maria took the lantern and passed the door, Clémence gazed down the step or two that led into the dungeon, and then with a pale cheek and wrung heart followed. The door closed behind them; the harsh bolt of the lock grated as the man turned the key; and, the power of retreat being at an end, the beautiful girl threw back the hood of the cloak, and gazed on before her into the obscure vault, which the feeble light of the lantern had scarcely deprived of any part of its darkness. The only thing that she could perceive, at first, was a large heavy pillar in the midst, supporting the pointed vault of the dungeon, with the faint outline of a low wooden bed, with the head thereof resting against the column.
No one spoke; and nothing but a faint moan broke the awful silence. It required the pause of a moment or two ere Clémence could overcome the feelings of her own heart sufficiently to take the lantern and advance; opening a part of the dim horn as she did so, in order to give greater light. A step or two farther forward brought her to the side of the bed; and the light of the lantern now showed her distinctly the venerable form of Claude de l'Estang stretched out upon the straw with which the pallet was filled. A heavy chain was round his middle, and the farther end thereof was fastened to a stanchion in the column.
The minister was dressed in a loose grey prison gown, and, although he saw the approach of some one in the abode of misery in which he was placed, he moved not at all, but remained with his arm bent under his head, his eyes turned slightly towards the door, his lower lip dropping as if with debility or pain, and his whole attitude displaying the utter lassitude and apathy of exhaustion and despair. When Clémence was within a foot or two of his side, however, he slowly raised his eyes towards her; and in a moment, when he beheld her face, a bright gleam came over his faded countenance, awakening in it all those peculiar signs and marks of strong intellect and intense feeling which the moment before had seemed extinct and gone. It was like the lightning flashing over some noble ruin in the midst of the deep darkness of the night.
"Is it you, my sweet child?" he cried, in a faint voice that was scarcely audible even in the midst of the still silence. "Is it you that have come to visit me in this abode of wretchedness and agony? This is indeed a blessing and a comfort; a blessing to see that there are some faithful even to the last, a comfort and a joy to find that she on whose truth and steadfastness I had fixed such hopes, has not deceived me;--and yet," he exclaimed, while Clémence gazed upon him with the tears rolling rapidly over her cheeks, and the sobs struggling hard for utterance, "and yet, why, oh why have you come here? why have you risked so much, my child, to soothe the few short hours that to-morrow's noon shall see at an end?"
"Oh, dear friend," said Clémence, kneeling down beside the pallet, "could I do otherwise, when I was in this very town, than strive to see you, my guide, my instructor, my teacher in right, my warner of the path that I ought to shun? Could I do otherwise, when I thought that there was none to soothe, that there was none to console you, that in the darkness and the agony of these awful hours there was not one voice to speak comfort, or to say one word of sympathy?"
"My child, you are mistaken," replied the old man, striving to raise himself upon his arm, and sinking back again with a low groan. "There has been one to comfort, there has been one to support me. He, to whom I go, has never abandoned me: neither in the midst of insult and degradation; no, nor in the moment of agony and torture, nor in those long and weary hours that have passed since they bore these ancient limbs from the rack on which they had bound them, and cast them down here to endure the time in darkness, in pain, and in utter helplessness, till at noon to-morrow the work will be accomplished on the bloody wheel, and the prisoner in this ruined clay will receive a joyful summons to fly far to his Redeemer's throne."