Fig. 107.—Cross Calvary.
Fig. 108.—Cross Flory.
Fig. 109.—Cross Fleuretté.
Fig. 110.—Cross Patonee.
Fig. 111.—Cross Moline.
Crosses in general are drawn with limbs of equal length except where the shape of a shield suggests the lengthening of the lower limb in order to satisfactorily place the object in its field, but the intention is that the limbs are to be considered equal and not like those of the passion cross. The width of crosses may be considerably varied, for difference consists not in the proportions of parts to each other but in essential variations of form. The floriated, or otherwise varied, cross may therefore be made of any proportion that the arrangement of the shield may suggest; that is to say, the same adaptability exists in these crosses as in the ordinaries, and their proportions may and should be varied in relation to the field they occupy and the charges with which they are associated. Though the floriated crosses are all derived from one source, their various shapes have long become fixed and now constitute heraldic difference. It will be useful therefore to observe that the end of a cross flory (Fig. 108) may approach very closely the form of a fleur-de-lis so long as confusion is not caused with the cross fleuretté (Fig. 109), in which the fleur-de-lis appears joined to the cross, rather than as though developed from it. The cross patonee (Fig. 110) differs from the cross flory merely in that the limbs of the former increase in width outwards, the lines radiating from the centre in a very pleasant way. In early shields the two latter forms are used indifferently for each other, as in the arms ascribed to Edward the Confessor, and in such cases choice may, of course, be made of one or other form; but it is obvious that when definite distinction between similar forms has been arrived at it should be observed and followed in later renderings.