Logic, however, must not be expected of Christians, at least in an age of dissolving views like the present. They will go on quoting Kenan's prize-essay panegyric on Christ, without any reference to the rest of his Vie de Jesus. They will persist in quoting Mill's farfetched eulogy, without referring to other passages in the essay On Liberty. But this is not all, nor even the worst. The sentimentalism of "popular" and "advanced" Christianity is turning Jesus Christ into a hero of romance. He is taking the place of King Arthur, of blameless memory; and we shall soon see the Apostles take the place of the Knights of the Round Table. Rancid orators and flatulent poets are gathering to the festival Jesus Christ will make a fine speech for the one set, and fine copy for the other. The professional biographers will cut in for a share in the spoil, and the brains of impudence will be ransacked to eke out the stories of Matthew, Mark, Luke, and John.
Lives of Christ are becoming quite fashionable. Fleetwood's honest but prosaic book had fallen into-neglect. The very maulers of old bookstalls thrust out their tongues at at. The still older book of Jeremy Taylor—a work of real genius and golden eloquence—was too stiff reading for an idle generation. Just in the nick of time the English translation of Kenan appeared. The first edition was less scientific than the thirteenth. Kenan had only just broken away from the Catholic Church; he was also under the influence of his visit to Palestine; his Vie de Jesus was therefore a sentimental Parisian romance; the smell of patchouli was on every page. Yet here and there the quick reader caught the laugh of Voltaire.
Kenan's book set a new vogue. The severe, critical Strauss was laid aside in England, and "the Savior's" life was "cultivated on new principles." By and bye the writers and publishers found there was "money in it." Jesus Christ could be made to pay. Dr. Farrar made thousands out of his trashy volumes, and his publishers netted a fortune. Mr. Haweis has done the same trick with four volumes. Ward Beecher spent his last days on a Life of Christ. Talmage is occupied on the same labor of love—and profit. Even the Catholic Church is not behindhand. Pere Didon has put forth his Life of Christ in two fat volumes as an antidote to the poison of Kenan. And the end is not yet. Nevertheless we see the beginning of the end. It was bound to come. After the prose writers prance the versifiers, and Sir Edward Arnold is first in the motley procession.
Sir Edward Arnold's Light of Asia was a fairly good piece of work. He had caught the trick of Tennysonian blank-verse, and he put some of the best features of Buddhism before the English public in a manner that commanded attention. Standing aloof from Buddhism himself, though sympathising with it, he was able to keep an impartial attitude. Further, he stuck to the Buddhist stories as he found them. All the license he took was that of selection and versification. But his recent Light of the World is another matter. He dishes up Jesus Christ in it, and Pontius Pilate and Mary Magdalene and the Wise Men of the East, as freely as Tennyson dishes up Arthur and Launcelot and Guinevere and the rest of that famous company. His style, too, is Tennysonian, to a certain degree. It is something like the Master's on its general level, but we miss the flashing felicities, the exquisite sentence or image that makes us breathless with sudden pleasure. Sir Edward's style has always a smack of the Daily Telegraph. He is high-flown in expressing even small ideas, or in describing trivialities.
Like a true Christian and courtier, Sir Edwin Arnold dedicates his book to "the Queen's Most Excellent Majesty." Those who fear God must also honor the king; and did not Jesus himself tell us to render unto Caesar the things that be Caesar's, as well as unto God the things that be God's? We presume Sir Edwin's dedication is "with permission." We also presume it will help the sale and promote his chance of the poet-laureateship.
After the dedication comes the "Proeme" of eight couplets, occupying a separate page, faced and backed with virgin paper.
The sovereign voice spake, once more, in mine ear: "Write, now, a song unstained by any tear!"
"What shall I write?" I said: the voice replied: "Write what we tell thee of the crucified!"
"How shall I write," I said, "who am not meet One word of that sweet speaking to repeat?"
"It shall be given unto thee! Do this thing!" Answered the voice: "Wash thy lips clean, and sing!"